Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht and Elisabeth Hauptmann. It was first performed on 9 March 1930 at the Neues Theater in Leipzig. Some interpreters have viewed the play as a critique of American society. Others have perceived it as a critique of the chaotic and immoral Weimar Republic, particularly Berlin of the 1920s with its rampant prostitution, unstable government, political corruption, and economic crises.

Der Jasager (literally The Yes Sayer; also translated as The Affirmer or He Said Yes) is an opera (specifically a Schuloper or "school-opera") by Kurt Weill to a German libretto by Bertolt Brecht (after Elisabeth Hauptmann's translation from Arthur Waley's English version of the Japanese Nō drama Taniko). Its companion piece is Der Neinsager (He Said No) although Brecht's other text was never set by Weill. Weill also identifies the piece, following Brecht's development of the experimental form, as a Lehrstück, or "teaching-piece".

Der Kuhhandel (A Kingdom for a Cow or Arms and the Cow) is an operetta by Kurt Weill. The German libretto was written by Robert Vambery.

Kurt Julian Weill (; German: [vaɪl]; March 2, 1900 – April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he wrote his best-known work, The Threepenny Opera, which includes the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He fled Nazi Germany in 1933, arriving in the United States two years later. Settling in New York, he made a substantial contribution to American musical theater through works such as Lady in the Dark and Street Scene.

Der Protagonist (The Protagonist) is an opera in one act by Kurt Weill, his Op. 15. The German libretto was written by Georg Kaiser based on his own play of the same name of (1920). Weill's first surviving opera has been described as Literaturoper.

Der Silbersee: ein Wintermärchen (The Silver Lake: a Winter's Fairy Tale) is a 'play with music' in three acts by Kurt Weill to a German text by Georg Kaiser. The subtitle is an allusion to Heinrich Heine's 1844 satirical epic poem, Germany. A Winter's Tale.

Der Silbersee: ein Wintermärchen (The Silver Lake: a Winter's Fairy Tale) is a 'play with music' in three acts by Kurt Weill to a German text by Georg Kaiser. The subtitle is an allusion to Heinrich Heine's 1844 satirical epic poem, Germany. A Winter's Tale.

This is a complete list of the stage works of the German, and later American, composer Kurt Weill (1900–1950).

Der Zar lässt sich photographieren (The Tsar Has his Photograph Taken.') is an opera buffa in one act by Kurt Weill, op. 21. The German libretto was written by Georg Kaiser, and Weill composed the music in 1927. It is a Zeitoper, a genre of music theatre which used contemporary settings and characters, satiric plots which often include technology and machinery. Musically the Zeitoper genre tends to be eclectic and borrow from Jazz. The genre has practically disappeared from the world's opera houses. Historically the Zeitoper came to an abrupt end with the Nazi period, and after the war the cultural institutions were perhaps hesitant to return to the lighter, often decadent and comic operas written before the holocaust changed the artistic perspective. This conjecture is supported by the statistical fact that of all of Weill's, Schönberg's, Hindemith's and Krenek's works – it is these very shorter, satirical Zeitoper works that are no longer performed.

Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).

The Seven Deadly Sins (German: Die sieben Todsünden, French: Les sept péchés capitaux) is a satirical ballet chanté ("sung ballet") in seven scenes (nine movements, including a Prologue and Epilogue) composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman and more recently by Michael Feingold. It was the last major collaboration between Weill and Brecht.

Happy End is a three-act musical comedy by Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht which first opened in Berlin at the Theater am Schiffbauerdamm on September 2, 1929. It closed after seven performances. In 1977 it premiered on Broadway, where it ran for 75 performances.

Happy End is a three-act musical comedy by Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht which first opened in Berlin at the Theater am Schiffbauerdamm on September 2, 1929. It closed after seven performances. In 1977 it premiered on Broadway, where it ran for 75 performances.

Adventures of Huckleberry Finn is a picaresque novel by American author Mark Twain that was first published in the United Kingdom in December 1884 and in the United States in February 1885. It is commonly named among the Great American Novels, and it is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. Being the direct sequel to The Adventures of Tom Sawyer, it is told in the first person by Huckleberry "Huck" Finn, the narrator of two other later Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective) and a friend of Tom Sawyer. The book is noted for "changing the course of children's literature" in the United States for the "deeply felt portrayal of boyhood". It is also known for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist over 20 years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism. Perennially popular with readers, Adventures of Huckleberry Finn has also been the continued object of study by literary critics since its publication. The book was widely criticized upon release because of its extensive use of coarse language and racial epithets. Throughout the 20th century, and despite arguments that the protagonist and the tenor of the book are anti-racist, criticism of the book continued due to both its perceived use of racial stereotypes and its frequent use of the racial slur "nigger".

Knickerbocker Holiday is a 1938 musical written by Kurt Weill (music) and Maxwell Anderson (book and lyrics), based loosely on Washington Irving's Knickerbocker's History of New York about life in 17th-century New Netherland (old New York). The musical numbers include "September Song", now considered a pop standard. The musical is set in 1647 Manhattan, at the time of the arrival of Peter Stuyvesant, the new Director-General of New Netherland. The local politician Tienhoven is selling brandy and firearms to the Indians, and his prospective son-in-law Brom Broeck is aware of his political corruption. Tienhoven arranges for Broeck to be executed by hanging, but Stuyvesant pardons the young man. Broeck and his new patron are both planning to marry the same woman.

September Songs – The Music of Kurt Weill is a music video of 94 minutes recorded in 1994 for Rhombus Media, ZDF (Germany), CBC (Canada) and RTP (Portugal). It was produced and directed by Larry Weinstein, and written by Weinstein and David Mortin. The film was conceived as a follow-up to the album Lost in the Stars: The Music of Kurt Weill whose producer Hal Willner served as the music supervisor in this project. The film was nominated for the 1995 Emmy Awards for Outstanding Cultural Program; it won five Gemini Awards in 1997. An album was released in 1997.

Lady in the Dark is a musical with music by Kurt Weill, lyrics by Ira Gershwin and book and direction by Moss Hart. It was produced by Sam Harris. The protagonist, Liza Elliott, is the unhappy editor of a fashion magazine who is undergoing psychoanalysis. The musical ran on Broadway in 1941, and in the United Kingdom in 1981. A film version was released in 1944, and a live television special followed in 1954.

Lost in the Stars: The Music of Kurt Weill is a 1985 tribute album to German-American composer Kurt Weill. It was executive-produced by Hal Willner and John Telfer, and produced by Hal Willner and Paul M. Young.

Sanford I. "Sandy" Weill (; born March 16, 1933) is an American banker, financier, and philanthropist. He is a former chief executive and chairman of Citigroup. He served in those positions from 1998 until October 1, 2003, and April 18, 2006, respectively.

Kurt Julian Weill (; German: [vaɪl]; March 2, 1900 – April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he wrote his best-known work, The Threepenny Opera, which includes the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He fled Nazi Germany in 1933, arriving in the United States two years later. Settling in New York, he made a substantial contribution to American musical theater through works such as Lady in the Dark and Street Scene.

Kurt Julian Weill (; German: [vaɪl]; March 2, 1900 – April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he wrote his best-known work, The Threepenny Opera, which includes the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He fled Nazi Germany in 1933, arriving in the United States two years later. Settling in New York, he made a substantial contribution to American musical theater through works such as Lady in the Dark and Street Scene.

One Touch of Venus is a 1943 musical with music written by Kurt Weill, lyrics by Ogden Nash, and book by S. J. Perelman and Nash, based on the 1885 novella The Tinted Venus by Thomas Anstey Guthrie, and very loosely spoofing the Pygmalion myth. The show satirizes contemporary American suburban values, artistic fads and romantic and sexual mores. Weill had been in America for eight years by the time he wrote this musical, and his music, though retaining his early haunting power, had evolved into a very different Broadway style.

Royal Palace is a 1925 one-act German-language ballet opera with a female choir in 13 scenes by Kurt Weil to a libretto by Yvan Goll. The premiere was on 2 March 1927 at the Berlin State Opera under the artistic direction of Erich Kleiber. The orchestral score and thus the original instrumentation was lost during the Nazi era and was reconstructed in 1971 by Noam Sheriff and Gunther Schuller, as a dance drama from a piano reduction with notes on the orchestration.

Street Scene is an American opera by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). Written in 1946 and premiered in Philadelphia that year, Street Scene is based on the Pulitzer Prize-winning 1929 play of the same name by Rice. It was Weill who referred to the piece as an "American opera", intending it as a groundbreaking synthesis of European traditional opera and American musical theater. He received the inaugural Tony Award for Best Original Score for his work, after the Broadway premiere in 1947. Considered far more an opera than a musical, Street Scene is regularly produced by professional opera companies and has never been revived on Broadway. Musically and culturally, even dramatically, the work inhabits the mid-ground between Weill's Threepenny Opera (1928) and Leonard Bernstein's West Side Story (1957). The score contains operatic arias and ensembles, some of them, such as Anna Maurrant's "Somehow I Never Could Believe" and Frank Maurrant's "Let Things Be Like They Always Was", with links and references to the style of Giacomo Puccini. It also has jazz and blues influences in "I Got a Marble and a Star" and "Lonely House" (see image). Some of the more Broadway-style musical numbers are "Wrapped in a Ribbon and Tied in a Bow", "Wouldn't You Like to Be on Broadway?" and "Moon-faced, Starry-eyed", an extended song-and-dance sequence. Benny Goodman and His Orchestra recorded "Moon-Faced, Starry-Eyed" with Johnny Mercer on the vocal in 1947. It was also recorded by the jazz vocal group The Hi-Lo's for their 1958 Columbia LP And All That Jazz.

The Firebrand of Florence is a Broadway operetta in two acts, written by Kurt Weill (music), Ira Gershwin (lyrics), and Edwin Justus Mayer and Gershwin (book), based on Mayer's play. The show opened at the Alvin Theatre (now the Neil Simon) on March 22, 1945, and closed on April 28 that year after 43 performances. The original production was directed by John Murray Anderson, choreographed by Catherine Littlefield, and conducted by Maurice Abravanel; it featured Lotte Lenya as Duchess. In 2017, Kim H. Kowalke and John Baxindine conceived a suite of dances from The Firebrand of Venice named Much Ado about Love (the original title of the show) which was performed at the Brevard Music Center, conducted by Keith Lockhart.

Mahogany refers to dark-colored wood from various types of tree. Mahogany may also refer to:

This is a complete list of the stage works of the German, and later American, composer Kurt Weill (1900–1950).

Where Do We Go from Here? is a 1945 romantic musical comedy-fantasy film directed by Gregory Ratoff and starring Fred MacMurray, Joan Leslie, June Haver, Gene Sheldon, Anthony Quinn and Fortunio Bonanova. It was produced by Twentieth Century-Fox. Joan Leslie's singing voice was dubbed by Sally Sweetland. The score was composed by Kurt Weill with lyrics by Ira Gershwin. Gregory Ratoff directed and Morrie Ryskind wrote the screenplay from a story by Sig Herzig and Ryskind. The film is notable as Weill's only musical written directly for the screen and for its anachronistic blend of history and contemporary (1940s) slang. At the time, the mock-operatic sequence, "The Nina, the Pinta, the Santa Maria," was one of the longest musical sequences ever created for a screen musical.

You and Me is a 1938 American crime drama/comedy/romance film directed by Fritz Lang. It stars Sylvia Sidney and George Raft as a pair of ex-convicts on parole, working in a department store whose owner, played by Harry Carey, routinely hires former criminals to give them a second chance. It was written by Norman Krasna and Virginia Van Upp.