Walton: Vocal Works
View all works by Walton in the main appExplore the complete catalog of Vocal compositions by Walton. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 2 Songs for Tenor and Piano |
This list of compositions includes all the published works by English composer Benjamin Britten with opus number. |
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| 4 Christmas Carols, for chorus |
"Carol of the Bells" is a popular Christmas carol, which is based on the Ukrainian New Years celebration song "Shchedryk". The music for the carol comes from the song written and arranged by the Ukrainian composer Mykola Leontovych between 1901 and 1916. English-language lyrics were written in 1936 by the American composer Peter Wilhousky. The music is based on a four-note ostinato and is in 34 time signature, with the B-flat bell pealing in 68 time. The carol is metrically bistable (which means it is characterized by hemiola, or two different alternating meters), with a listener being able to focus on either meter or switch between them. It has been adapted for musical genres that include classical, heavy metal, jazz, country music, rock, trap, and pop. The music has been featured in films and television shows. |
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| A Litany: Drop, drop, slow tears |
The characters from the medieval fantasy television series Game of Thrones are adapted from George R. R. Martin’s novel series A Song of Ice and Fire. Set in a fictional world composed of the continents of Westeros and Essos, the story follows political conflicts among noble houses, struggles for the Iron Throne, and the rising threat from the far North. |
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| A Song for the Lord Mayor's Table, song cycle for soprano |
A Song for the Lord Mayor's Table is a cycle of six songs with music by William Walton, first performed in 1962. The words, chosen by the librettist Christopher Hassall, are by six different British poets, two of them anonymous. Originally for soprano and piano, the cycle was later orchestrated. The work was premiered at Goldsmiths' Hall, London on 18 July 1962 by Elisabeth Schwarzkopf and Gerald Moore, during the City of London Festival. The orchestral version was first performed at the Mansion House, London on 7 July 1970, by Janet Baker with the English Chamber Orchestra conducted by George Malcolm. |
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| Anon in Love, song cycle for tenor and guitar |
Anon in Love is a cycle of six songs by William Walton, originally for tenor and guitar, setting anonymous poems from the sixteenth and seventeenth centuries. The cycle was commissioned by the tenor Peter Pears and the guitarist Julian Bream and first performed at the Aldeburgh Festival in 1960. Walton later arranged the cycle for tenor and small orchestra. A version for voice and piano was made by the musicologist Christopher Palmer and premiered after the composer's death. All three versions have been commercially recorded. |
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| Antiphon, for chorus and organ |
This list of compositions includes all the published works by English composer Benjamin Britten with opus number. |
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| Belshazzar's Feast, for baritone, double chorus and orchestra |
Belshazzar's Feast is a cantata by the English composer William Walton, depicting the Babylonian captivity of the people of Israel, the death of their oppressor Belshazzar and the collapse of the Babylonian kingdom. It was first performed at the Leeds Triennial Festival on 8 October 1931, with the baritone soloist Dennis Noble, the London Symphony Orchestra and the Leeds Festival Chorus, conducted by Malcolm Sargent. Osbert Sitwell selected the text from the Bible, primarily the Book of Daniel and Psalm 137. The work is dedicated to Walton's friend and benefactor Lord Berners. Belshazzar's Feast has remained one of Walton's most celebrated compositions, but for many years after its premiere it was deemed unsuitable for church performance and in England it was banned from the Three Choirs Festival until 1957. |
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| Cantico del sole |
This is a list of compositions by William Walton sorted by genre, date of composition, title, and scoring. |
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| Coronation Te Deum, for soloists, chorus, organ and orchestra |
The coronation of Charles III and his wife, Camilla, as king and queen of the United Kingdom and the 14 other Commonwealth realms, took place on Saturday, 6 May 2023 at Westminster Abbey. Charles acceded to the throne on 8 September 2022 upon the death of his mother, Elizabeth II. The ceremony was structured around an Anglican service of Holy Communion. It included Charles taking an oath, being anointed with holy oil, and receiving the coronation regalia, emphasising his spiritual role and secular responsibilities. Representatives of the Church of England and the British royal family declared their allegiance to him, and people throughout the Commonwealth realms were invited to do so. Camilla was crowned in a shorter and simpler ceremony. After the service, members of the royal family travelled to Buckingham Palace in a state procession and appeared on the palace's rear and front balconies. The service was altered from past British coronations to represent the multiple faiths, cultures, and communities of the United Kingdom, and was shorter than Elizabeth II's coronation. It had a peak UK television audience of 20.4 million, making it the most watched television broadcast of 2023, and attracted a global audience of 2 billion people across 125 countries. The coronation elicited both celebrations and protest in the United Kingdom, with surveys carried out before the event suggesting that the British public was ambivalent towards the ceremony and its funding by taxpayers. The events in London and Windsor drew large crowds, but were also protested against by smaller republican groups; 64 individuals were arrested on the day. The celebrations included street parties, volunteering, special commemorative church services, and a concert at Windsor Castle on 7 May. The response in the other Commonwealth realms was similarly mixed; while there were many celebrations, some government officials and indigenous groups took the opportunity to voice republican sentiments and call for reparatory justice. The coronation was the first of a British monarch in the 21st century, the previous having been that of Elizabeth II in 1953, nearly 70 years prior. It was the 40th to be held at Westminster Abbey since the coronation of William the Conqueror in 1066. |
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| Façade no. 2, for reciter and ensemble |
Façade is a series of poems by Edith Sitwell, best known as part of Façade – An Entertainment in which the poems are recited over an instrumental accompaniment by William Walton. The poems and the music exist in several versions. Sitwell began to publish some of the Façade poems in 1918, in the literary magazine Wheels. In 1922 many of them were given an orchestral accompaniment by Walton, Sitwell's protégé. The "entertainment" was first performed in public on 12 June 1923 at the Aeolian Hall in London, and achieved both fame and notoriety for its unconventional form. Walton arranged two suites of his music for full orchestra. When Frederick Ashton made a ballet of Façade in 1931, Sitwell did not wish her poems to be part of it, and the orchestral arrangements were used. After Sitwell's death, Walton published supplementary versions of Façade for speaker and small ensemble using numbers dropped between the premiere and the publication of the full score in 1951. |
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| Façade, for reciter and ensemble |
Façade is a series of poems by Edith Sitwell, best known as part of Façade – An Entertainment in which the poems are recited over an instrumental accompaniment by William Walton. The poems and the music exist in several versions. Sitwell began to publish some of the Façade poems in 1918, in the literary magazine Wheels. In 1922 many of them were given an orchestral accompaniment by Walton, Sitwell's protégé. The "entertainment" was first performed in public on 12 June 1923 at the Aeolian Hall in London, and achieved both fame and notoriety for its unconventional form. Walton arranged two suites of his music for full orchestra. When Frederick Ashton made a ballet of Façade in 1931, Sitwell did not wish her poems to be part of it, and the orchestral arrangements were used. After Sitwell's death, Walton published supplementary versions of Façade for speaker and small ensemble using numbers dropped between the premiere and the publication of the full score in 1951. |
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| Gloria, for alto, tenor, bass, double chorus and orchestra |
This is a list of notable events in music that took place in the year 1959. |
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| In Honour of the City of London, for double chorus and orchestra |
Belshazzar's Feast is a cantata by the English composer William Walton, depicting the Babylonian captivity of the people of Israel, the death of their oppressor Belshazzar and the collapse of the Babylonian kingdom. It was first performed at the Leeds Triennial Festival on 8 October 1931, with the baritone soloist Dennis Noble, the London Symphony Orchestra and the Leeds Festival Chorus, conducted by Malcolm Sargent. Osbert Sitwell selected the text from the Bible, primarily the Book of Daniel and Psalm 137. The work is dedicated to Walton's friend and benefactor Lord Berners. Belshazzar's Feast has remained one of Walton's most celebrated compositions, but for many years after its premiere it was deemed unsuitable for church performance and in England it was banned from the Three Choirs Festival until 1957. |
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| Jubilate Deo, for double chorus and organ |
This list of compositions includes all the published works by English composer Benjamin Britten with opus number. |
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| King Herod and the Cock |
Herod (originally King Herod; April 1758 – 12 May 1780) was a Thoroughbred racehorse. Herod was the foundation sire responsible for keeping the Byerley Turk sire-line alive. |
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| Magnificat and Nunc Dimittis, for chorus and organ |
This is a list of compositions by William Walton sorted by genre, date of composition, title, and scoring. |
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| Missa Brevis, for double chorus and organ |
The Mass (Latin: missa, Italian: messa, French: messe, German: Messe) is a form of musical composition that sets the invariable portions of the western Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion and Lutheranism) known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be a cappella, that is, without an independent accompaniment, or they can be accompanied by instrumental obbligatos up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. |
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| Set me as a seal upon thine heart |
Ivor Fox-Strangways Guest, 3rd Viscount Wimborne (2 December 1939 – 17 December 1993) was a British peer. |
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| The Twelve, anthem for chorus and organ |
Steven Sametz (born January 27, 1954) is an American conductor and composer. He has been hailed as "one of the most respected choral composers in America". Since 1979, he has been on the faculty of Lehigh University in Bethlehem, Pennsylvania, where he holds the Ronald J. Ulrich Chair in Music and is Director of Choral Activities and is founding director of the Lehigh University Choral Union. Since 1998, he has served as Artistic Director of the professional a cappella ensemble, The Princeton Singers. He is also the founding director of the Lehigh University Summer Choral Composers' Forum. In 2012, he was named Chair of the American Choral Directors Association Composition Advisory Committee. |
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| Where does the uttered music go? |
The Waltons is an American historical drama television series about a family in rural mountainous Western Virginia of the Appalachian/Blue Ridge Mountains chain, during the economic hardships and mass unemployment of the Great Depression in the 1930s and the subsequent United States home front during World War II in the 1940s. It was created by screenwriter and author Earl Hamner Jr., based on his 1961 book Spencer's Mountain. The Waltons aired from September 14, 1972, to June 4, 1981, and took place in the fictional Walton's Mountain, Virginia. The TV film special The Homecoming: A Christmas Story was broadcast on December 19, 1971. Based on its high ratings and critical success, the CBS network ordered the first season of episodes (to be based on the same characters, with some changes in the casting) which became known as the television series The Waltons. Beginning in September 1972, the series was broadcast on the CBS network for nine seasons. After the series was canceled in 1981, three television film reunion sequels aired in 1982 on NBC, with three more in the 1990s back on CBS. The Waltons was produced by Lorimar Productions and distributed by Warner Bros. Domestic Television Distribution in later syndication after 1981. Each episode's end sequence featured the voices of the family's members saying goodnight to one another before going to sleep for the night. According to the BBC which broadcast the series in the United Kingdom, "Goodnight, John-Boy" was one of the most common catchphrases of the 1970s. |