Villa-Lobos: Keyboard Works
View all works by Villa-Lobos in the main appExplore the complete catalog of Keyboard compositions by Villa-Lobos. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 16 Cirandinhas, A.220 | ||
| 5 Canções de cordialidade, A.deest | ||
| A Fiandeira, A.176 | ||
| A Prole do bebê, A.140, "A família do bebê" |
Helen Huang (Chinese: 黃海倫; pinyin: Huáng Hǎilún; born October 1982) is an American classical pianist. She began studying piano in 1987, performing and touring with major symphony orchestras. |
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| Album 1, A.277 |
Sky 4: Forthcoming is the fourth studio album by English/Australian instrumental progressive rock band Sky, released in 1982. It is the only Sky album to contain no original compositions - except for Kevin Peek's rewrite of a 13th-century melody - relying instead on the band's arrangements of other (mostly classical) composers' pieces. The album entered the UK charts on 3 April 1982, where it peaked at No. 7. In 2015 Esoteric Recordings continued a schedule of remasters and expanded releases with this recording. |
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| Album 10, A.284 |
John Sebastian (born John Sebastian Pugliese; April 25, 1914 − August 18, 1980) was an American musician and composer known as a master of the classical chromatic harmonica. He was the first harmonicist to adopt an all-classical repertoire and, along with Larry Adler and Tommy Reilly, established the harmonica as a serious instrument for classical music. In addition to performing, Sebastian increased the range of classical music available for the harmonica by transcribing numerous existing classical works for the harmonica, composing works of his own, and commissioning or otherwise encouraging other composers to write for the instrument. He is the father of singer-songwriter John B. Sebastian, a founder of the popular 1960s folk rock band The Lovin' Spoonful. |
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| Album 11, A.473 |
Kathryn Stott (born 10 December 1958) is an English classical pianist who performs as a concerto soloist, recitalist and chamber musician. Her specialities include the English and French classical repertoire, contemporary classical music and the tango. She is a professor at the Royal Northern College of Music, Manchester and has organised several music festivals and concert series. Grove Music Online describes Stott's playing as "marked by a vivid sense of immediacy and personal communication." A review of her fiftieth birthday gala concert in The Times describes her as "one of the most versatile pianists on the circuit". |
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| Album 2, A.276 |
Roberto Carlos Braga (Brazilian Portuguese pronunciation: [ʁoˈbɛʁtu ˈkaʁlus]; born 19 April 1941) is a Brazilian singer-songwriter, also known as "King of Brazilian Music" or simply "the King". Most of his songs were written in partnership with his friend Erasmo Carlos (no relation). With over 140 million albums sold worldwide, Roberto Carlos is the best-selling Latin American music artist in history. He is considered one of the most influential artists in Brazil, being cited as a source of inspiration by many artists and bands. His net worth is estimated at US$160 million. |
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| Album 3, A.279 |
-ana (variant: -iana) is a suffix of Latin origin that is used in English to convert nouns, usually proper names into mass nouns, most commonly in order to refer to a collection of things, facts, stories, memorabilia, and anything else, that relate to a specific place, period, person, etc. For instance, Americana is used to refer to things that are distinctive of the US, while Canadiana is for Canada; in literature, Shakespeareana and Dickensiana are similarly used in reference to items or stories related to William Shakespeare or Charles Dickens, respectively. The suffix -ana, -iana, or -eana have also often been used in the titles of musical works, as a way for a composer to pay tribute to an earlier composer or noted performer. |
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| Album 4, A.280 |
O Descobrimento do Brasil (transl. The Discovery of Brazil) is the sixth studio album by Brazilian rock band Legião Urbana. Released in November 1993, it sold more than a half million copies and was certified double platinum by ABPD. |
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| Album 5, A.281 |
Freddy Fender (born Baldemar Garza Huerta; June 4, 1937 – October 14, 2006) was an American Country and Tejano singer, of Mexican descent, known for his work as a solo artist and in the groups Los Super Seven and the Texas Tornados. His signature sound fused country, rock, swamp pop and Tex-Mex styles. Active since the 1950s, when he got his start playing Spanish-language rock and roll for Tejano audiences, Fender's mainstream breakthrough came in 1975 with the crossover hit "Before the Next Teardrop Falls," which topped Billboard's pop and country charts. He recorded further country hits such as "Wasted Days and Wasted Nights," "Secret Love," "You'll Lose a Good Thing," "Living It Down," and "The Rains Came." |
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| Album 6, A.282 |
Andre Kostelanetz (Russian: Абрам Наумович Костелянец; December 22, 1901 – January 13, 1980) was a Russian-American popular orchestral music conductor and arranger who was one of the major exponents of popular orchestra music. |
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| Album 7, A.283 |
Renato Russo (born Renato Manfredini, Jr., March 27, 1960 – October 11, 1996) was a Brazilian musician who was the lead singer of the post-punk band Legião Urbana. A Brazilian film depicting his life and career was released in 2013, called Somos Tão Jovens (We Are So Young). |
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| Album 8, A.358 |
Sketches of Spain is a studio album by American jazz musician Miles Davis, released on July 18, 1960, by Columbia Records. Recording took place between November 1959 and March 1960 at Columbia's 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music. |
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| Album 9, A.359 |
The 500 greatest Brazilian music records list was chosen through a vote conducted by the Discoteca Básica podcast. The top 10 were revealed in May 2022, and the book with the complete list was published in December of the same year. |
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| As três Marias, A.411 |
This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell. |
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| Bachianas Brasileiras no. 4, A.264 |
Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure, whether variably or equally stressed. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are 54 and 58; compound quintuple meter is most often written in 158. |
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| Baliado infantil, A.35 | ||
| Baliado infernal, A.160 | ||
| Brinquedo de Roda, A.45 |
This is a list of notable events in music that took place in the year 1912. |
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| Caixinha de música quebrada, A.256 | ||
| Carnaval das 8 crianças brasilieras, A.157 | ||
| Carnaval de Pierro | ||
| Children's Carnaval |
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote many orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929), dedicated to Andrés Segovia, and his 5 Preludes (1940), dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha", are important works in the classical guitar repertory. |
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| Chôros no. 1 |
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote many orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929), dedicated to Andrés Segovia, and his 5 Preludes (1940), dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha", are important works in the classical guitar repertory. |
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| Chôros no. 2, A.198 |
Chôros is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. |
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| Chôros no. 5, A.207, "Alma brasiliera" | ||
| Ciclo brasileiro, A.374 |
The 1964 Brazilian coup d'état (Portuguese: Golpe de estado no Brasil em 1964) was the overthrow of Brazilian president João Goulart by a military coup from March 31 to April 1, 1964, ending the Fourth Brazilian Republic (1946–1964) and initiating the Brazilian military dictatorship (1964–1985). The coup took the form of a military rebellion, the declaration of vacancy in the presidency by the National Congress on April 2, the formation of a military junta (the Supreme Command of the Revolution) and the exile of the president on April 4. In his place, Ranieri Mazzilli, the president of the Chamber of Deputies, took over until the election by Congress of general Humberto de Alencar Castelo Branco, one of the leaders of the coup. Democratically elected vice president in 1960, Jango, as Goulart was known, assumed power after the resignation of president Jânio Quadros, in 1961, and the Legality Campaign, which defeated an attempted military coup to prevent his inauguration. During his government, the economic crisis and social conflicts deepened. Social, political, labor, peasant, and student movements, along with low-ranking military personnel, rallied behind a set of "base reforms" proposed by President Goulart. He met growing opposition among the elite, the urban middle class, a large portion of the officer corps of the armed forces, the Catholic Church and the press, who accused him of threatening the legal order of the country, colluding with communists, causing social chaos and weakening the military hierarchy. Throughout his tenure, Goulart had faced numerous efforts to pressure and destabilize his government and plots to overthrow him. Brazil's relations with the United States deteriorated and the American government allied with opposition forces and their efforts, supporting the coup. Goulart lost the support of the center, failed to secure the approval of the base reforms in Congress and, in the final stage of his government, relied on pressure from reformist movements to overcome the resistance of the legislature, leading to the peak of the political crisis in March 1964. On March 31, a rebellion broke out in Minas Gerais, led by a group of military officers with support of some governors. Loyalist troops and rebels prepared for combat, but Goulart did not want a civil war. The loyalists initially had the upper hand, but mass defections weakened the president's military situation. He traveled successively from Rio de Janeiro to Brasília, Porto Alegre, the interior of Rio Grande do Sul, and then to Uruguay, where he went into exile. By April 1, the coup leaders controlled most of the country, securing Rio Grande do Sul on the 2nd. In the early hours of April 2, Congress declared Goulart's position vacant while he was still within Brazilian territory. Efforts to defend his presidency, such as a call for a general strike, were insufficient. While some sectors of society welcomed the self-proclaimed "revolution" by the military, others faced severe repression. The political class anticipated a swift return to civilian rule, but in the following years an authoritarian, nationalist, and pro-American dictatorship took hold. Historians, political scientists, and sociologists have offered various interpretations of the event, viewing it both as the establishment of a military dictatorship and the culmination of recurring political crises in the Fourth Brazilian Republic, similar to those in 1954, 1955, and 1961. On the international stage, the coup was part of the Cold War in Latin America and coincided with several other military takeovers in the region. |
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| Danças características africanas, A.85 |
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote many orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929), dedicated to Andrés Segovia, and his 5 Preludes (1940), dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha", are important works in the classical guitar repertory. |
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| Feijoada Sem Perigo, A.deest | ||
| Francette e Piá, A.237 | ||
| Guia Prático, folkloric melodies in 2 volumes, A. 276 | ||
| Histórias da carochinha, A.148 | ||
| Homenage a Chopin, A.474 | ||
| Impressões Seresteiras |
This is a list of compositions by the Brazilian composer Heitor Villa-Lobos. It is still incomplete (he composed over 2000 works in his lifetime), and needs expansion. You can help. (More nearly complete lists of compositions may be found in the References or External Links listed below). |
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| Lembranco do sertão, A.252 | ||
| Marquesa de Santos, A.396 | ||
| Melodia da montanha, "Mountain Melody" | ||
| New York Skyline Melody, A.407 | ||
| O Gato e o rato, A.76 |
This article is a list of winners of Troféu HQ Mix, sorted by category. |
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| Ondulando, A.82, "Undulating" | ||
| Petizada, A.48 | ||
| Poema singélo, A.434 | ||
| Rudepoêma, A.184 |
Yerma is an opera in three acts by Heitor Villa-Lobos based on the tragedy of the same name by Federico García Lorca. |
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| Saudades das selvas brasileiras, A.226 | ||
| Simples coletânea, A.134 | ||
| Suite Floral, A.117 |
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote many orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929), dedicated to Andrés Segovia, and his 5 Preludes (1940), dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha", are important works in the classical guitar repertory. |
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| Suite infantil no. 1, A.53 |
This is a list of compositions by the Brazilian composer Heitor Villa-Lobos. It is still incomplete (he composed over 2000 works in his lifetime), and needs expansion. You can help. (More nearly complete lists of compositions may be found in the References or External Links listed below). |
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| Suite infantil no. 2, A.67 |
Wilhelm Schröter is a composer and pianist. Schröter was born in Rio de Janeiro, Brazil, January 16, 1960. |
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| Sul América, A.217 |
The 2024 Sul Ross Lobos football team represented Sul Ross State University during the 2024 NCAA Division II football season as a member of the Lone Star Conference (LSC). The Lobos were led by third-year head coach Barry Derickson and played their home games at Jackson Field in Alpine, Texas. The 2024 season marked the second year of a three-year transition period from Division III to Division II for the program. The Lobos were not eligible for the NCAA Division II playoffs but were eligible for the Heritage Bowl, conference awards, and the regular season conference title. On December 2, Barry Derickson announced that he was stepping down as the Lobos' head coach. On February 12, 2025, Lubbock-Cooper High School offensive line coach and assistant offensive coordinator Lee Hays was named the Lobos' new head coach. |
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| Tristorosa, A.34 |
This is a list of compositions by the Brazilian composer Heitor Villa-Lobos. It is still incomplete (he composed over 2000 works in his lifetime), and needs expansion. You can help. (More nearly complete lists of compositions may be found in the References or External Links listed below). |
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| Valsa da dor in D major, A.316 | ||
| Valsa lenta, A.43 | ||
| Valsa romãntica, A.16 | ||
| Valsa-scherzo, A.70 |
This is a list of Private Passions episodes from 2005 to 2009. It does not include repeated episodes or compilations. |