Roussel: Vocal Works
View all works by Roussel in the main appExplore the complete catalog of Vocal compositions by Roussel. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
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| Coeur en Péril |
Le Monde (French: [l(ə) mɔ̃d]; "The World") is a French newspaper founded in 1944 by Hubert Beuve-Méry. It is the most widely read paid national daily newspaper in France, with 2.44 million readers in 2021, and the most widely circulated, with around 500,000 subscribers, including 414,000 digital subscribers and 87,000 print subscribers. It presents itself as a "newspaper of record". Former editor Éric Fottorino preferred not to describe the newspaper as a "newspaper of record", stating instead that it was "not just any newspaper", but rather one that "claims to become the reference, an alloy of competence and editorial independence built over several decades". It is nevertheless widely regarded as such, including internationally. Le Monde is the last French daily traditionally described as an "evening paper". It is published in Paris in the early afternoon with the following day's date, and later in some major cities, before being distributed elsewhere the next morning. According to Radio France, Le Monde has adopted successive editorial lines since its founding, generally located, albeit reductively, on the centre-left. A 2010 academic work also characterises its editorial stance as centre-left. In April 2022, an Ifop survey indicated that among regular readers of Le Monde, 48% voted for left-wing candidates in the first round of the 2012 presidential election, and 27% voted for Emmanuel Macron. Le Monde is owned by Groupe Le Monde. Its shareholding structure includes the holding company Le Monde libre, notably owned by Xavier Niel and Matthieu Pigasse, and the Independence Pole, held by employees, trade unions, and associations. |
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| Jazz dans la Nuit |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Le Bachelier de Salamanque |
Deux mélodies, Op. 20, L. 22 (from French, "Two Melodies"), is a short collection of melodies for voice and piano by French composer Albert Roussel. Based on poems by René Chalupt, it was finished in 1919. |
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| Le Bardit des Francs, for male chorus, brass and ad lib. percussion, "Pharamond" | ||
| Poems by Ronsard, for voice and flute, op. 26 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Psalm 80, for tenor, chorus and orchestra, op. 37 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Vocalise no. 2, for voice and piano |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |