Roussel: Chamber Works
View all works by Roussel in the main appExplore the complete catalog of Chamber compositions by Roussel. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
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| A Glorious Day, op. 48 |
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| Andante and scherzo, for flute and piano, op. 51 |
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many musical contemporaries, including Robert Schumann. After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Aurore Dupin (known by her pen name George Sand). A brief and unhappy visit to Mallorca with Sand in 1838–39 proved one of his most productive periods of composition. In his final years he was supported financially by his admirer Jane Stirling. In poor health most of his life, Chopin died in Paris in 1849 at age 39. All of Chopin's compositions feature the piano. Most are for solo piano, though he also wrote two piano concertos before leaving Warsaw, some chamber music, and 19 songs set to Polish lyrics. His piano pieces are technically demanding and expanded the limits of the instrument; his own performances were noted for their nuance and sensitivity. Chopin's major piano works include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzi, preludes, and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of Mozart and Schubert, and the atmosphere of the Paris salons, of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period. Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity. Among his many memorials is the Fryderyk Chopin Institute, which was created by the Polish parliament to research and promote his life and works, and which hosts the prestigious International Chopin Piano Competition, devoted entirely to his works. |
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| Aria no. 2, for oboe and piano |
The following is a partial list of compositions by Michael Finnissy. |
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| Divertissement for piano and wind quintet, op. 6 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Duo for Bassoon and Double Bass |
The following is a partial list of compositions by Michael Finnissy. |
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| Fanfare pour un sacre païen, for 4 trumpets and 3 drums | ||
| Impromptu for harp, op. 21 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Joueurs de flûte, for flute and piano, op. 27 |
In music, Op. 27 stands for Opus number 27. Compositions that are assigned this number include: Alkan – Le chemin de fer Arnold – English Dances Atterberg – Sonata in B minor Beethoven – Piano Sonata No. 13 Beethoven – Piano Sonata No. 14 Britten – Hymn to St Cecilia Castelnuovo – Naomi and Ruth Chopin – Nocturnes, Op. 27 Elgar – From the Bavarian Highlands Elgar – Three Bavarian Dances Enescu – Orchestral Suite No. 3 Grieg – String Quartet No. 1 Klebe – Die tödlichen Wünsche Lover – Heimliche Aufforderung Mendelssohn – Calm Sea and Prosperous Voyage Nielsen – Symphony No. 3 Rachmaninoff – Symphony No. 2 Reger – Ein' feste Burg ist unser Gott Roussel – Joueurs de flûte Schumann – Lieder und Gesänge volume I (5 songs) Shostakovich – The Bolt Sibelius – King Christian II (Kuningas Kristian II), theatre score and suite (1898, revised and arranged 1898) Spohr – String Quartet No. 6 Strauss – Cäcilie Strauss – Morgen! Strauss – Ruhe, meine Seele! Suk – Asrael Symphony Szymanowski – Symphony No. 3 Waterhouse – Cello Concerto Webern – Variations for piano Wirén – Symphony No. 4 (1952) Ysaÿe – Six Sonatas for solo violin Violin Sonata No. 2 |
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| Pipe, for piccolo and piano in D |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Ségovia, for guitar, op. 29 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Sérénade, for flute, violin, viola, cello, and harp, op. 30 |
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism. |
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| Trio for Flute, Viola and Cello, op. 40 |
Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer. |