A Requiem in Our Time, Op. 3, is a composition for brass ensemble and percussion by Einojuhani Rautavaara, written in 1953. It won him international attention while still a student.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

Einojuhani Rautavaara (Finnish pronunciation: [ˈei̯noˌjuhɑni ˈrɑu̯tɑˌʋɑːrɑ] ; 9 October 1928 – 27 July 2016) was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957), Rautavaara wrote a great number of works spanning various styles. These include eight symphonies, nine operas and fifteen concertos, as well as numerous vocal and chamber works. Having written early works using 12-tone serial techniques, his later music may be described as neo-romantic and mystical. His major works include his first piano concerto (1969), Cantus Arcticus (1972) and his seventh symphony, Angel of Light (1994).

This article lists the classical guitar music in the classical guitar repertoire. It includes baroque guitar and vihuela music, but not lute music. This music is most commonly performed by classical guitarists and requires the use of a variety of classical guitar techniques to play. During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music from the same period. Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home. The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses. The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This article lists the classical guitar music in the classical guitar repertoire. It includes baroque guitar and vihuela music, but not lute music. This music is most commonly performed by classical guitarists and requires the use of a variety of classical guitar techniques to play. During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music from the same period. Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home. The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses. The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.

Einojuhani Rautavaara (Finnish pronunciation: [ˈei̯noˌjuhɑni ˈrɑu̯tɑˌʋɑːrɑ] ; 9 October 1928 – 27 July 2016) was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957), Rautavaara wrote a great number of works spanning various styles. These include eight symphonies, nine operas and fifteen concertos, as well as numerous vocal and chamber works. Having written early works using 12-tone serial techniques, his later music may be described as neo-romantic and mystical. His major works include his first piano concerto (1969), Cantus Arcticus (1972) and his seventh symphony, Angel of Light (1994).

This article lists the classical guitar music in the classical guitar repertoire. It includes baroque guitar and vihuela music, but not lute music. This music is most commonly performed by classical guitarists and requires the use of a variety of classical guitar techniques to play. During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music from the same period. Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home. The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses. The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.

A flute sonata is a sonata usually for flute and piano, though occasionally other accompanying instruments may be used. Flute sonatas in the Baroque period were very often accompanied in the form of basso continuo.

This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instruments—usually two violins, viola and cello—unless stated otherwise.

A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous Eine kleine Nachtmusik may be performed with this instrumentation (the double bass being optional). Alternative additions to a string quartet include clarinet or piano (see clarinet quintet, piano quintet). A more unusual form of string quintet is the violin quintet composed of 3 violins, a viola and a cello (thus, a string quartet with an additional violin). Besides string quartets and quintets, other closely related chamber music genres include the string trio, and the string sextet. The term string quintet may also refer to a group of five players that specializes in performing such works. The ensemble was standard in 17th century Italy and can be seen as early as 1607 in Claudio Monteverdi's opera, L'Orfeo.

The String Quartet No. 4, Op. 87, is Einojuhani Rautavaara's last string quartet, composed in 1975.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.

This is a list of compositions by Einojuhani Rautavaara. Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed. Therefore, using opus numbers in connection with his works is not a necessity.