Prokofiev: Chamber Works

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Explore the complete catalog of Chamber compositions by Prokofiev. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

Title Year Actions
5 Melodies for Violin and Piano, op. 35bis

This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev.

Adagio for Cello and Piano, op. 97bis

This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev.

Ballade for Cello and Piano in C minor, op. 15

Sergei Sergeyevich Prokofiev (27 April [O.S. 15 April] 1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet—from which "Dance of the Knights" is taken—and Peter and the Wolf. Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the Saint Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev—Chout, Le pas d'acier and The Prodigal Son—which, at the time of their original production, all caused a sensation among both critics and colleagues. But Prokofiev's greatest interest was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and performed over the following decade in Europe and Russia. After the Revolution of 1917, Prokofiev left Russia with the approval of Soviet People's Commissar Anatoly Lunacharsky, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. In 1923 he married a Spanish singer, Carolina (Lina) Codina, with whom he had two sons; they divorced in 1947. In the early 1930s, the Great Depression diminished opportunities for Prokofiev's ballets and operas to be staged in America and Western Europe. Prokofiev, who regarded himself as a composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. His greatest Soviet successes included Lieutenant Kijé, Peter and the Wolf, Romeo and Juliet, Cinderella, Alexander Nevsky, the Fifth and Sixth Symphonies, On Guard for Peace, and the Piano Sonatas Nos. 6–8. The Nazi invasion of the USSR spurred Prokofiev to compose his most ambitious work, an operatic version of Leo Tolstoy's War and Peace; he co-wrote the libretto with Mira Mendelson, his longtime companion and later second wife. In 1948, Prokofiev was attacked for producing "anti-democratic formalism". Nevertheless, he enjoyed personal and artistic support from a new generation of Russian performers, notably Sviatoslav Richter and Mstislav Rostropovich: he wrote his Ninth Piano Sonata for the former and his Symphony-Concerto for the latter.

Cello Sonata in C major, op. 119

A cello sonata is a piece written in sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi; subsequent famous cello sonatas include those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and Richard Strauss. The following list contains cello sonatas with or without accompanying instruments. See the See also list for more comprehensive lists divided up into solo and accompanied works.

Eleonora, for harp

Ivan the Terrible (Russian: Иван Грозный, romanized: Ivan Grozny), Op. 116, is the score composed by Sergei Prokofiev for Sergei Eisenstein's film Ivan the Terrible (1945) and its sequel (1958), the first two parts of an incomplete trilogy. In 1973 the composer Mikhail Chulaki and choreographer Yuri Grigorovich drew on Prokofiev's film score and other music to create the ballet Ivan the Terrible for the Bolshoi Ballet, which was given its premiere in 1975. Later performing editions of the scores include an oratorio put together by Michael Lankester (1989), and a concert scenario by Christopher Palmer (1991). The restoration of the entire original film score has been published and recorded.

Flute Sonata in D major, op. 94

The Flute Sonata in D, Op. 94, is a musical work composed by Sergei Prokofiev in 1943. It was initially composed for flute and piano, and was later transcribed for violin as Op. 94a, both versions have been recorded several times. The piece contains four movements.

Overture on Hebrew Themes, for clarinet, string quartet and piano, op. 34

Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo cello as much as solo clarinet. Until recently the chamber orchestra version had been the better known, being easily programmable by orchestras, while the original version (for six instruments) requires out-of-the-way planning on the part of a string quartet. But two recordings have drawn attention to the original: Michel Portal clarinet, Parrenin Quartet, Michel Béroff piano (1974); and Giora Feidman clarinet, Juilliard String Quartet, Yefim Bronfman piano (1994).

Quintet for Oboe, Clarinet, Violin, Viola, and Double Bass in G minor, op. 39

Sergei Prokofiev's Quintet in G minor, Op. 39 is a piece of chamber music for oboe, clarinet, violin, viola and double bass, written in 1924. The quintet, closely related to Prokofiev's ballet, Trapèze, contains six movements and lasts 20–25 minutes.

Serenade for Violin and Piano

Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano.

Sonata for Solo Violin in D major, op. 115

Sergei Prokofiev wrote his Symphony No. 5 in B♭ major, Op. 100, in the Soviet Union in one month in the summer of 1944.

Sonata in C for 2 Violins, op. 56

Sergei Prokofiev composed his Sonata for Two Violins in C major, Op. 56, in 1932 during his vacation near St. Tropez as a commission piece to conclude the inaugural concert of Triton, a Paris-based society dedicated to presenting new chamber music. That concert was held on 16 December 1932. However, with the composer's permission, the sonata was performed for the first time three weeks earlier in Moscow, on 27 November 1932 by Dmitry Tsyganov and Vassily Shirinsky, both members of the Beethoven Quartet. The performance at the Triton concert was the "Western premiere". The performers on that occasion were Robert Soetens - for whom Prokofiev would compose his second violin concerto in 1935 - and Samuel Dushkin, for whom Stravinsky composed his violin concerto a few months earlier. The work was published in 1932 in Berlin by Éditions Russes de Musique. In his 1941 autobiography, Prokofiev wrote about the origin of the work: Listening to bad music sometimes inspires good ideas... After once hearing an unsuccessful piece [unspecified] for two violins without piano accompaniment, it struck me that in spite of the apparent limitations of such a duet one could make it interesting enough to listen to for ten or fifteen minutes.... Regarding the Paris premiere, Prokofiev further adds: [My] Sonata was presented at the official opening of Triton, which chanced to coincide with the premiere of my ballet On the Dnieper. Fortunately the ballet began half an hour after the end of the concert, and so immediately after the Sonata we dashed over to the Grand Opéra – musicians, critics, composer all together.

String Quartet no. 1 in B minor, op. 50

Sergei Prokofiev's String Quartet No. 1 in B minor, Op. 50 (1931) was commissioned by the Library of Congress. The Quartet was first performed in Washington, D.C., on 25 April 1931 by the Brosa Quartet and in Moscow on 9 October 1931 by the Roth Quartet. The string quartet is in three movements, lasting around 20–25 minutes.

String Quartet no. 2 in F, op. 92, "Kabardinian"

The Pavel Haas Quartet is a Czech string quartet founded in 2002. Their debut album, featuring the second string quartets of Haas and Janáček, received the 2007 Gramophone Award for Chamber music. Reviewer David Fanning described their interpretation as "streamlined but full-blooded". In 2011, their recording of Dvořák’s String Quartets Op. 106 and Op. 96 won Gramophone magazine’s "Recording of the Year" award, the publication’s highest accolade.

Violin Sonata no. 1 in F minor, op. 80

Sergei Prokofiev's Violin Sonata No. 1 in F minor, Op. 80, was composed between 1938 and 1946, two years after Violin Sonata No. 2. Prokofiev was awarded the 1947 Stalin Prize for this composition.

Violin Sonata no. 2 in D major, op. 94bis

Sergei Prokofiev's Violin Sonata No. 2 in D Major, Op. 94a (sometimes written as Op. 94bis), was based on the composer's own Flute Sonata in D, Op. 94, written in 1942 but arranged for violin in 1943 when Prokofiev was living in Perm in the Ural Mountains, a remote shelter for Soviet artists during the Second World War. Prokofiev transformed the work into a violin sonata at the prompting of his close friend, the violinist David Oistrakh. It was premiered on 17 June 1944 by David Oistrakh and Lev Oborin.