Paganini: Chamber Works
View all works by Paganini in the main appExplore the complete catalog of Chamber compositions by Paganini. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 3 Duets, for violin and bassoon, MS130 | ||
| 3 Duetti concertanti, for violin and cello, MS107 | ||
| 3 Quartets, for guitar and strings, op. 4, MS28-30 | ||
| 3 Quartets, for guitar and strings, op. 5, MS31-33 | ||
| 4 Nocturnes, for string quartet, MS15 | ||
| 4 Studies for Violin Solo |
Niccolò (or Nicolò) Paganini (; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant, philandering lifestyle. Paganini ended his concert career in 1834 amid declining health, and the failure of his Paris casino left him in financial ruin. He retired to southern France and died in Nice in 1840 at the age of 57. |
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| 43 Ghiribizzi, MS43 | ||
| 6 Duetti, for violin and guitar, MS110 | ||
| 6 Sonatas, for violin and guitar, MS10, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS11, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS12, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS13, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS133, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS134, "Lucca Sonatas" | ||
| 6 Sonatas, for violin and guitar, MS9, "Lucca Sonatas" | ||
| 60 Variations on Barucabà, for violin and guitar, op. 14, MS71 | ||
| 9 Quartets, for guitar and strings, MS34-42 | ||
| Allegretto in A major, MS86 | ||
| Allegretto in A major, MS90 | ||
| Allegretto in A minor, MS91 | ||
| Andantino in C major, MS89 | ||
| Andantino in C major, MS97 | ||
| Andantino in F minor, MS102 | ||
| Andantino in G major, MS88 | ||
| Andantino in G major, MS99 | ||
| Cantabile a Minuetto no. 3, MS126 | ||
| Cantabile and Waltz in E for Violin and Guitar, MS45 | ||
| Cantabile e Valtz no. 4, MS127 | ||
| Cantabile e Valtz no. 5, MS128 | ||
| Cantabile e Valtz no. 6, MS129 | ||
| Cantabile in D major, for violin and guitar, MS109 | ||
| Cantabile in D major, for violin and piano, MS109, op. 17 | ||
| Caprice d'adieu, for solo violin, MS68 | ||
| Carmagnola, variations for violin and guitar |
This is a list of the compositions of the Italian virtuoso violinist Niccolò Paganini (1782–1840). |
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| Centone di sonate no. 1 in A minor, for violin and guitar, MS112/1 | ||
| Centone di sonate no. 10 in C major, for violin and guitar, MS112/10 | ||
| Centone di sonate no. 11 in A minor, for violin and guitar, MS112/11 | ||
| Centone di sonate no. 12 in D major, for violin and guitar, MS112/12 | ||
| Centone di sonate no. 13 in E major, for violin and guitar, MS112/13 | ||
| Centone di sonate no. 14 in G major, for violin and guitar, MS112/14 | ||
| Centone di Sonate no. 15 in A major, for guitar and violin, MS112/15 | ||
| Centone di sonate no. 16 in E major, for violin and guitar, MS112/16 | ||
| Centone di sonate no. 17 in A major, for violin and guitar, MS112/17 | ||
| Centone di sonate no. 18 in C major, for violin and guitar, MS112/18 | ||
| Centone di sonate no. 2 in D major, for violin and guitar, MS112/2 | ||
| Centone di sonate no. 3 in C major, for violin and guitar, MS112/3 | ||
| Centone di sonate no. 4 in A major, for violin and guitar, MS112/4 | ||
| Centone di sonate no. 5 in E major, for violin and guitar, MS112/5 | ||
| Centone di sonate no. 6 in A major, for violin and guitar, MS112/6 | ||
| Centone di sonate no. 7 in F major, for violin and guitar, MS112/7 | ||
| Centone di sonate no. 8 in G major, for violin and guitar, MS112/8 | ||
| Centone di sonate no. 9 in A major, for violin and guitar, MS112/9 | ||
| Divertimenti carnevaleschi, 20 pieces for 2 violins and bass, MS4 | ||
| Duetto amoroso in C for Violin and Guitar, MS111 | ||
| Entrata d'Adone nella reggia di Venere in C major, for violin and guitar, MS8 | ||
| Grand Sonata in A for Violin and Guitar, op. 35, MS3 | ||
| Guitar Sonata in A |
Niccolò (or Nicolò) Paganini (; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant, philandering lifestyle. Paganini ended his concert career in 1834 amid declining health, and the failure of his Paris casino left him in financial ruin. He retired to southern France and died in Nice in 1840 at the age of 57. |
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| Guitar Sonata in A major, MS104 | ||
| Guitar Sonata in A major, MS84/1 | ||
| Guitar Sonata in A major, MS84/2 | ||
| Guitar Sonata in A major, MS84/26 | ||
| Guitar Sonata in A major, MS84/30 | ||
| Guitar Sonata in A major, MS84/37 | ||
| Guitar Sonata in C major, MS84/15 | ||
| Guitar Sonata in D major, MS84/10 | ||
| Guitar Sonata in D major, MS84/4 | ||
| Guitar Sonata in E major, MS84/16 | ||
| Guitar Sonata in E major, MS84/25 | ||
| Guitar Sonata in E major, MS84/32 | ||
| Guitar Sonata in E major, MS84/35 | ||
| Guitar Sonata in E major, MS87 | ||
| Guitar Sonata in F major, MS84/14 | ||
| Guitar Sonata in F major, MS84/6 | ||
| Guitar Sonata in G major, MS84/8 | ||
| Guitar Sonatina in A major, MS85/2 | ||
| Guitar Sonatina in C major, MS85/1 | ||
| Guitar Sonatina in C major, MS85/4 | ||
| Guitar Sonatina in C major, MS85/5 | ||
| Guitar Sonatina in D major, MS85/3 | ||
| In cuor più non mi sento in A major, for 2 violins and bass, MS117 | ||
| Inno patriotico in A major, Allegro and 6 Variations for solo violin, MS81 | ||
| Introduction and Variations on 'Nel cor più non mi sento' from Paisiello's 'La molinara,' Op.38, MS44 | ||
| Marcia in A major, MS103 | ||
| Marziale, MS105 | ||
| Minuet for mandolin, MS106 | ||
| Minuet in E |
Imaginary Places is a single by American rapper Busdriver from his album Temporary Forever. It was released in 2002. |
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| Moto perpetuo in C major, for violin and guitar, op. 11, MS72 | ||
| Romance in A minor, for guitar and strings |
The classical guitar, also known as a Spanish guitar, is a member of the guitar family used in classical music and other styles. As an acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings. Classical guitars derive from instruments such as the lute, the vihuela, the gittern (the name being a derivative of the Greek "kithara"), which evolved into the Renaissance guitar and into the 17th and 18th-century baroque guitar. Today's modern classical guitar was established by the late designs of a 19th-century Spanish luthier, Antonio Torres Jurado. For a right-handed player, the traditional classical guitar has 12 frets that are clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole. This is called the classical, or sul ponticello, position. However, the right hand may move to the sul tasto position, closer to the fretboard, to achieve a different tonal quality. To position the classical guitar correctly, the player's left leg is typically raised on a foot rest. The modern steel string guitar, on the other hand, usually has at least 14 frets clear of the body (see Dreadnought) and is commonly held with a strap around the neck and shoulder. The phrase "classical guitar" may refer to either of two concepts other than the instrument itself: The instrumental finger technique common to classical guitar—individual strings plucked with the fingernails or, less frequently, fingertips The instrument's classical music repertoire The term modern classical guitar sometimes distinguishes the classical guitar from older forms of guitar, which are in their broadest sense also called classical, or more specifically, early guitars. Examples of early guitars include the six-string early romantic guitar (c. 1790 – 1880), and the earlier baroque guitars with five courses. The materials and the methods of classical guitar construction may vary, but the typical shape is either modern classical guitar or that historic classical guitar similar to the early romantic guitars of Spain, France and Italy. Classical guitar strings once made of gut are now made of materials such as nylon or fluoropolymers (especially PVDF), typically with silver-plated copper fine wire wound about the 3 lower-pitched strings, which are D, A and low E in standard tuning. A guitar family tree may be identified. The flamenco guitar derives from the modern classical, but has differences in material, construction and sound. |
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| Rondoncino in E major, MS94 | ||
| Serenata in C major, for viola, cello and guitar, MS17 | ||
| Serenata in F major, for 2 violins and guitar |
This is a list of the compositions of the Italian virtuoso violinist Niccolò Paganini (1782–1840). |
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| Serenata in F major, for 2 violins and guitar, MS115 | ||
| Serenata per Rovene, for mandolin and guitar in E minor, MS14 | ||
| Serenata, for mandolin and guitar in G major, MS16 | ||
| Sinfonia della Lodovisia in D major, MS98 | ||
| Sonata and Variations, MS132 | ||
| Sonata concertata in A for Violin and Guitar, op. 61, MS2 | ||
| Sonata for Violin and Guitar in A major, op. 2, no. 1, MS26/1 | ||
| Sonata for Violin and Guitar in A major, op. 2, no. 4, MS26/4 | ||
| Sonata for Violin and Guitar in A major, op. 3, no. 1 MS27/1 | ||
| Sonata for Violin and Guitar in A minor, op. 2, no. 6, MS26/6 | ||
| Sonata for Violin and Guitar in A minor, op. 3, no. 4, MS27/4 | ||
| Sonata for Violin and Guitar in A, op. 3, no. 5, MS27/5 | ||
| Sonata for Violin and Guitar in C major, op. 2, no. 2, MS26/2 | ||
| Sonata for Violin and Guitar in D major, op. 2, no. 5, MS26/5 | ||
| Sonata for Violin and Guitar in D major, op. 3, no. 3, MS27/3 | ||
| Sonata for Violin and Guitar in D minor, op. 2, no. 3, MS6/3 | ||
| Sonata for Violin and Guitar in E minor, op. 3, no. 6, MS27/6 | ||
| Sonata for Violin and Guitar in G major, op. 3, no. 2, MS27/2 | ||
| Sonata in F minor |
The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. The form of the clarinet sonata was largely undeveloped when Brahms wrote his, after which the combination of clarinet and piano was more readily used in composers’ new works. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the clarinet repertoire. Brahms also produced a frequently performed transcription of these works for viola with alterations to better suit the instrument. |
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| Sonatina for Violin and Guitar no. 1, MS124 | ||
| Sonatina for Violin and Guitar no. 2, MS125 | ||
| Tema variato in A major, Theme and 7 Variations for solo violin, MS82 | ||
| Terzetto concertante in D major, for viola, guitar and cello, MS114 | ||
| Terzetto in A minor, for 2 violins and guitar, MS116 | ||
| Terzetto in D major, for violin, cello and guitar, MS69 | ||
| Trio in D |
Niccolò (or Nicolò) Paganini (; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant, philandering lifestyle. Paganini ended his concert career in 1834 amid declining health, and the failure of his Paris casino left him in financial ruin. He retired to southern France and died in Nice in 1840 at the age of 57. |
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| Trio in F major, MS101 | ||
| Variations on 'Preghiera', MS23 | ||
| Variations on a string, for cello and piano |
Niccolò (or Nicolò) Paganini (; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant, philandering lifestyle. Paganini ended his concert career in 1834 amid declining health, and the failure of his Paris casino left him in financial ruin. He retired to southern France and died in Nice in 1840 at the age of 57. |
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| Violin Sonata in A major, MS83 | ||
| Violin Sonata in C major, MS6 | ||
| Violin Sonata no. 1 in D minor |
Niccolò (or Nicolò) Paganini (; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant, philandering lifestyle. Paganini ended his concert career in 1834 amid declining health, and the failure of his Paris casino left him in financial ruin. He retired to southern France and died in Nice in 1840 at the age of 57. |
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| Waltz in C major, MS92 | ||
| Waltz in E major, MS96 |