The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as "A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos". The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783.

The Adagio and Rondo, K. 617, is a quintet composed by Wolfgang Amadeus Mozart for glass harmonica, flute, oboe, viola and cello. Completed on May 23, 1791 (the date indicated in Mozart's own list of his works), it was written for Marianne Kirchgessner, a blind glass harmonica virtuoso, who played the first performance in the Burgtheater Akademie on June 10, 1791, and subsequently performed it at the Kärtnertortheater on August 19, 1791. The autograph manuscript is in the British Library as part of the Stefan Zweig Collection. It was purchased by Zweig from a Berlin auction house in 1930. The work was first published by Breitkopf & Härtel in 1799. The adagio, in C minor, is 58 bars long, while the rondo, in C Major, contains 230 bars. According to Willi Apel, "Among various compositions for the glass harmonica, Mozart's Adagio in C major (K. 356) and Adagio and Rondo (K. 617) ... both composed in 1791, are the most interesting. They seem to require an instrument equipped with a keyboard mechanism such as that constructed in 1784."

The Adagio and Rondo, K. 617, is a quintet composed by Wolfgang Amadeus Mozart for glass harmonica, flute, oboe, viola and cello. Completed on May 23, 1791 (the date indicated in Mozart's own list of his works), it was written for Marianne Kirchgessner, a blind glass harmonica virtuoso, who played the first performance in the Burgtheater Akademie on June 10, 1791, and subsequently performed it at the Kärtnertortheater on August 19, 1791. The autograph manuscript is in the British Library as part of the Stefan Zweig Collection. It was purchased by Zweig from a Berlin auction house in 1930. The work was first published by Breitkopf & Härtel in 1799. The adagio, in C minor, is 58 bars long, while the rondo, in C Major, contains 230 bars. According to Willi Apel, "Among various compositions for the glass harmonica, Mozart's Adagio in C major (K. 356) and Adagio and Rondo (K. 617) ... both composed in 1791, are the most interesting. They seem to require an instrument equipped with a keyboard mechanism such as that constructed in 1784."

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

This is a list of sonatas by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a Classical composer and musician. In his brief life, he completed more than 800 works including outstanding examples of most of the genres of his time: symphonies, concertos, chamber music, opera, and choral music. Born in Salzburg, Mozart quickly emerged as a child prodigy under the training of his father Leopold, a skilled pedagogue. At age five, he was already competent on keyboard and violin, had begun to compose, and had performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17 he was a musician at the Salzburg court but grew restless and travelled in search of a better position. A fruitless journey in search of employment (1777–1779) led him to Paris, Mannheim, Munich, and eventually back to Salzburg. During this time he wrote his five violin concertos, the Sinfonia Concertante, various masses, and the opera Idomeneo. While he was visiting Vienna in 1781, Mozart's quarrels with his Salzburg employers came to a head and he was dismissed. He chose to remain in Vienna, where he stayed for the rest of his life, achieving fame and some financial success, but no long-term security. During Mozart's early years in Vienna he produced several notable works, such as the opera Die Entführung aus dem Serail, the Great Mass in C minor, the "Haydn" Quartets and a number of symphonies. Throughout his Vienna years Mozart composed more than a dozen piano concertos, many considered some of his greatest achievements. In the final years of his life, he wrote many of his best-known works, including his last three symphonies, culminating in the Jupiter, the serenade Eine kleine Nachtmusik, his Clarinet Concerto, the operas Le nozze di Figaro, Don Giovanni, Così fan tutte and Die Zauberflöte, the Piano Concerto No. 27 and his Requiem. The Requiem was largely unfinished at the time of his death at age 35.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart wrote seventeen Church Sonatas (sonate da chiesa), also known as Epistle Sonatas, between 1772 and 1780. These are short single-movement pieces intended to be played during a celebration of the Mass between the Epistle and the Gospel. They were intended to cover the interval during Solemn Mass in which the celebrant, after reading the Epistle, moved from the south side of the choir to the north in order to read the Gospel. Hence the term Sonata all’Epistola (epistle sonata) – a term that apperas in one of Mozart's father's letters. Three of the sonatas (K 263, 278/271e and 329/317a) include more orchestral scoring including oboes, horns, trumpets and timpani and the rest are scored for organ and strings (with no violas). In eight of the sonatas (K 224/241a, 225/241b, 244, 245, 263, 328/317c, 329/317a and 336/336d), the organ has an obbligato solo part and in the other nine, the organ accompanies along with the basso continuo. It is not clear how many players would have been involved in the sonatas scored for two violins, bass and organ. Archival sources from Salzburg Cathedral suggest that two-to-a-part performance was the norm for string players. The fact that in many cases the organ simply provides chords to fill out the texture, together with the chamber-like scoring of many of these sonatas, indicates that they were largely intended for performance on one of the cathedral's small organs. The organ pedals are rarely used, appearing only in K245, 274, 328 and 329. Most of these pieces would be inserted into any mass setting of the appropriate key. Those requiring more instruments than the standard "Salzburg Church Quartet" are meant to go with specific mass settings that have that instrumentation. Shortly after Mozart left Salzburg, the Archbishop mandated that an appropriate choral motet or congregational hymn be sung at that point in the liturgy, and the "Epistle Sonata" fell into disuse.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wilhelm Walter Friedrich Kempff (25 November 1895 – 23 May 1991) was a German pianist, teacher and composer. Although his repertoire included Bach, Mozart, Chopin, Schumann, Liszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert, recording the complete sonatas of both composers. He is considered to have been one of the chief exponents of the Germanic tradition during the 20th century and one of the greatest pianists of all time.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

This is a list of sonatas by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. Although originally written for basset clarinet, in contemporary performances it usually is played on a clarinet in A. It is Mozart's only completed clarinet quintet and is one of the earliest and best-known works that was written especially for the instrument. It remains to this day one of the most admired of the composer's works. Sometimes the quintet is referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. Mozart also wrote a trio for clarinet, viola, and piano for Stadler, the so-called Kegelstatt Trio, in 1786. Stadler was a friend to Mozart who was very talented in the instrument.

The Divertimenti in F major (K. 213), B♭ major (K. 240), E♭ major (K. 252/240a), F major (K. 253), and B♭ major (K. 270) are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Divertimento for String Trio in E♭ major, K. 563, is a string trio written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies (nos. 39–41) and his "Coronation" Piano Concerto. It is his last divertimento and different from his other divertimenti not only in its instrumentation but also in its compositorial ambition and scope. The work was completed in Vienna on 27 September 1788 and is dedicated to Michael von Puchberg, a friend and fellow Freemason, who lent money to Mozart. The premiere was in Dresden on April 13, 1789, with Anton Teyber taking the violin part, Mozart playing viola and Antonín Kraft playing cello. At the time Mozart was conducting a tour of German cities, on his way to Berlin (see Mozart's Berlin journey).

The Divertimento for String Trio in E♭ major, K. 563, is a string trio written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies (nos. 39–41) and his "Coronation" Piano Concerto. It is his last divertimento and different from his other divertimenti not only in its instrumentation but also in its compositorial ambition and scope. The work was completed in Vienna on 27 September 1788 and is dedicated to Michael von Puchberg, a friend and fellow Freemason, who lent money to Mozart. The premiere was in Dresden on April 13, 1789, with Anton Teyber taking the violin part, Mozart playing viola and Antonín Kraft playing cello. At the time Mozart was conducting a tour of German cities, on his way to Berlin (see Mozart's Berlin journey).

The Divertimento for String Trio in E♭ major, K. 563, is a string trio written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies (nos. 39–41) and his "Coronation" Piano Concerto. It is his last divertimento and different from his other divertimenti not only in its instrumentation but also in its compositorial ambition and scope. The work was completed in Vienna on 27 September 1788 and is dedicated to Michael von Puchberg, a friend and fellow Freemason, who lent money to Mozart. The premiere was in Dresden on April 13, 1789, with Anton Teyber taking the violin part, Mozart playing viola and Antonín Kraft playing cello. At the time Mozart was conducting a tour of German cities, on his way to Berlin (see Mozart's Berlin journey).

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart's String Duo No. 1 in G major for violin and viola, K. 423, was written some time between July and October, 1783. It was the first of two duos that Mozart wrote to complete Michael Haydn's set of six for the Archbishop Colloredo. Mozart wrote them as a favour to Michael Haydn, who fell ill before he could complete all six duos. Mozart composed these two duos in the course of just a few days, passing them off as the work of Haydn (although the true authorship was revealed in subsequent newspaper advertisements placed by the Viennese music dealer Johann Traeg). The set of six duos was presented to the archbishop as having all been composed by Haydn, and Colloredo was unable to "detect in them Mozart's obvious workmanship".

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Mozart's Flute Quartet No. 1 in D Major, K. 285 is written for flute, violin, viola and cello. It is the first of three quartets written in Mannheim, Germany at the request of Ferdinand De Jean who was introduced to Mozart by Christian Cannabich. Mozart first mentioned his quartets in a letter to his father, Leopold Mozart on December 10, 1777, and the first quartet is dated December 25, 1777.

The Flute Quartet No. 2 in G major, K. 285a, by Wolfgang Amadeus Mozart is the second of three quartets for the amateur flautist Ferdinand De Jean, and was likely written between 1777 and 1778; indeed, the composition is listed directly after the Flute Quartet No. 1 in the Köchel catalogue. The quartet is in two movements: A typical performance lasts a little under 12 minutes.

Wolfgang Amadeus Mozart's Flute Quartet No. 3 in C major, K. Anh. 171/285b, is the last of three quartets for the amateur flautist Ferdinand De Jean. Mozart's manuscript designates this work for flute, violin, viola and cello. Despite following directly after the first two flute quartets in the Köchel catalogue, the Quartet in C was almost certainly written a few years later, likely sometime between the years 1781 to 1782. The quartet is in two movements: The second movement was adapted by Mozart from the sixth movement of his Serenade No. 10, K. 361. A typical performance lasts roughly 15½ minutes.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart composed the Horn Quintet in E♭ major, K. 407 (386c), in 1782 for the soloist Joseph Leutgeb. The work calls for one horn, one violin, two violas and one cello, which differs from the typical string quartet arrangement that includes two violins.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The Oboe Quartet in F major, K. 370/368b, was written by Wolfgang Amadeus Mozart in early 1781. The quartet is scored for oboe, violin, viola and violone basso or cello. In 1780, Mozart was invited to Munich to visit Elector Karl Theodor, who had commissioned the opera Idomeneo for a carnival celebration. While in Munich, Mozart renewed an acquaintance with Friedrich Ramm, a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off the instrument was the use of the "high F" above the staff, a note rarely played in any repertoire previously written for the oboe.

The Oboe Quartet in F major, K. 370/368b, was written by Wolfgang Amadeus Mozart in early 1781. The quartet is scored for oboe, violin, viola and violone basso or cello. In 1780, Mozart was invited to Munich to visit Elector Karl Theodor, who had commissioned the opera Idomeneo for a carnival celebration. While in Munich, Mozart renewed an acquaintance with Friedrich Ramm, a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off the instrument was the use of the "high F" above the staff, a note rarely played in any repertoire previously written for the oboe.

Mozart's Piano Quartet No. 1 in G minor, K. 478, is scored for violin, viola, cello, and pianoforte. It was composed in 1785.

Mozart's Piano Quartet No. 2 in E♭ major, K. 493, was written after Franz Anton Hoffmeister released Mozart from the obligation of writing three piano quartets.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.

The Piano Trio No. 2 in G major, K. 496, was written by Wolfgang Amadeus Mozart in 1786. It is scored for piano, violin and cello.

The Piano Trio No. 3 in B♭ major, K. 502, was written by Wolfgang Amadeus Mozart in 1786. It is scored for piano, violin and cello.

The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.

The Piano Trio No. 5 in C major, K. 548, was written by Wolfgang Amadeus Mozart in July 1788. It is scored for piano, violin and cello.

The Piano Trio No. 6 in G major, K. 564, was written by Wolfgang Amadeus Mozart in 1788 and is part of his series of piano trios. It is scored for piano, violin and cello.

The Quintet for Piano and Winds in E♭ major, K. 452, was composed by Wolfgang Amadeus Mozart, who entered it in his catalogue of works on 30 March 1784. It was premiered two days later at the Imperial Royal Court Theatre in Vienna. Shortly after the premiere, Mozart wrote to his father that "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon. Sarah Adams notes that "The four dissimilar wind timbres pitted against the piano in this extraordinary work must have posed Mozart with a compositional challenge. He contended with the instrumental balance by constructing themes easily divisible into small motifs and by changing textural groupings every few bars for a kaleidoscopic array of tone colours."

A bassoon sonata is a larger-scale work for bassoon, usually with keyboard accompaniment. Most bassoon sonatas are substantial, multi-movement works, often based on Classical sonata form. Bassoon sonatinas, by comparison, tend to be shorter works, often in a single movement. Like bassoon concertos, bassoon sonatas were relatively uncommon until the twentieth century, at which point they became plentiful. During the twentieth century, the term bassoon sonata came to denote a wider range of works, including sonatas for solo bassoon and sonatas for bassoon in various duets with other instruments (such as cello or oboe).

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.

The String Quartet No. 19 in C major, K. 465, is a chamber music composition by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of the unusual counterpoint in its slow introduction.

The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.

The String Quartet No. 14 in G major, K. 387, nicknamed the "Spring" quartet, was composed by Wolfgang Amadeus Mozart in 1782 in Vienna. In the composer's inscription on the title page of the autograph score is stated: li 31 di decembre 1782 in vienna. The work was perhaps edited in 1783. This is the first of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and dedicated to Joseph Haydn.

Wolfgang Amadeus Mozart's String Quartet No. 15 in D minor, K. 421/417b is the second of his quartets dedicated to Haydn and the only one of the set in a minor key. Though undated in the autograph, it is believed to have been completed in 1783, while his wife Constanze Mozart was in labour with her first child Raimund. Constanze stated that the rising string figures in the second movement corresponded to her cries from the other room.

The String Quartet No. 16 in E♭ major, K. 428/421b, was composed by Wolfgang Amadeus Mozart in 1783. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn. It is in four movements: The first movement is highly chromatic, with the chromaticized bridge theme in the exposition being one of several examples, the end of the exposition being another. The slow movement "invokes ... the slow movement of Haydn's Op. 20 No. 1. The ostentatious dissonances of its opening almost have an antique flavour, caused by the collision of semitonal ascents and descents, and this strongly suggests the opening subject of the first movement, so surprisingly isolated there." Other commentators hear it as pointing forward to Johannes Brahms. Throughout the third movement Mozart "makes use of a pedal point in the bass, thus giving the music an entrancing rustic effect." The last movement "can best be described as being an abridged rondo form."

Wolfgang Amadeus Mozart's String Quartet No. 17 in B♭ major, K. 458, nicknamed "The Hunt", is the fourth of the quartets dedicated to Haydn. It was completed in 1784. It is in four movements: Neither Mozart nor Artaria (the publisher) called this piece "The Hunt". "For Mozart's contemporaries, the first movement of K.458 evidently evoked the 'chasse' topic, the main components of which were a 68 time signature (sometimes featuring a strong upbeat) and triadic melodies based largely around tonic and dominant chords (doubtless stemming from the physical limitations of the actual hunting horns to notes of the harmonic series)." According to Irving, Mozart's first intention was to conclude with a polonaise and sketched 65 bars (p. 17).

Wolfgang Amadeus Mozart's String Quartet No. 18 in A major, K. 464, the fifth of the Quartets dedicated to Haydn, was completed in 1785. Mozart's autograph catalogue states as the date of composition "1785. / the 10th January". It is in four movements: The whole piece is characterized by the use of several different contrapuntal devices. In England "this quartet is known as the Drum because the cello part in variation six [of the Andante] maintains a staccato drum-like motion." In his biography of Mozart entitled Mozart: A Life, musicologist Maynard Solomon quotes Beethoven as telling his pupil Carl Czerny that this work, with its complex contrapuntal techniques, was Mozart's way of saying to the world, "Look what I could produce, if only you were ready for it." Beethoven thoroughly studied this quartet he much "admired and even copied into score", which he used as model for his String Quartet in A major, Opus 18 No. 5. Even though it is one of Mozart's longest quartets, there is a great economy to the writing. The finale is as monothematic as anything Haydn ever wrote, with all the development deriving from the opening two phrases, and the other movements make use of a very small amount of melodic material for their development sections as well. The minuet for example, builds primarily on just two small motifs.

The String Quartet No. 19 in C major, K. 465, is a chamber music composition by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of the unusual counterpoint in its slow introduction.

The String Quartet No. 14 in G major, K. 387, nicknamed the "Spring" quartet, was composed by Wolfgang Amadeus Mozart in 1782 in Vienna. In the composer's inscription on the title page of the autograph score is stated: li 31 di decembre 1782 in vienna. The work was perhaps edited in 1783. This is the first of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and dedicated to Joseph Haydn.

The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.

The String Quartet No. 21 in D major, K. 575, was written in June 1789 by Wolfgang Amadeus Mozart. It is the first of the Prussian Quartets. There are four movements: The quartet was written for, and in Mozart's personal catalog was described as being dedicated to, the King of Prussia, Friedrich Wilhelm II, an amateur cellist. Of the three Prussian Quartets, K. 575 was the only one Mozart referred to in this way. The quartet was written in a similar style to the quartets of Joseph Haydn. Mozart and his friend Karl Lichnowsky met the king in Potsdam in April 1789. Mozart played before the king in Berlin on 26 May 1789, then returned to Vienna. A typical performance lasts around 24 minutes.

Wolfgang Amadeus Mozart composed his String Quartet No. 22 in B♭ major, K. 589, in 1790 in Vienna after a visit to the court of King Friedrich Wilhelm II, King of Prussia. Mozart traveled with his friend and piano student Karl Alois, Prince Lichnowsky, and during these travels they had the opportunity to stop in Potsdam and attend an audience for Mozart at the King's court. Mozart was under financial stress and hoped to hold a position at the court of King Wilhelm II. Wilhelm was an amateur cellist, which is why the set of Prussian Quartets, of which the String Quartet No. 22 is a part, features an unusually prominent role for the cello. Despite such compositional efforts by Mozart to gain employment from the king, these quartets were sold without any dedication and published by Artaria.

The String Quartet No. 23 in F major, K. 590, was written in June 1790 by Wolfgang Amadeus Mozart. It is the third of the Prussian Quartets and the last String Quartet he would write before his death in December 1791. There are four movements in this string quartet: The quartet was written for and dedicated to the King of Prussia, Friedrich Wilhelm II, an amateur cellist. It is written in a similar style to the quartets of Joseph Haydn. Mozart and his friend Karl Lichnowsky met the king in Potsdam in April 1789. Mozart played before the king in Berlin on 26 May of that year. The Menuetto is distinguished by the evolution, in the main minuet sections, from a fairly conventional theme to a highly chromatic, driven transition. A typical performance of the quartet lasts 23 to 25 minutes.

The String Quartet No. 21 in D major, K. 575, was written in June 1789 by Wolfgang Amadeus Mozart. It is the first of the Prussian Quartets. There are four movements: The quartet was written for, and in Mozart's personal catalog was described as being dedicated to, the King of Prussia, Friedrich Wilhelm II, an amateur cellist. Of the three Prussian Quartets, K. 575 was the only one Mozart referred to in this way. The quartet was written in a similar style to the quartets of Joseph Haydn. Mozart and his friend Karl Lichnowsky met the king in Potsdam in April 1789. Mozart played before the king in Berlin on 26 May 1789, then returned to Vienna. A typical performance lasts around 24 minutes.

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.

The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

Wolfgang Amadeus Mozart's String Quartet No. 1 in G major, K. 80/73f, was completed in its original three-movement form on 15 March 1770 while touring in Lodi, Lombardy. Mozart was 14 at the time. The fourth movement was added later, possibly in 1773, when Mozart and his father visited Vienna. There is a theory surrounding who this piece is in the style of, and many say the Italian cellist and composer Luigi Boccherini was the primary influence for this string quartet.

The String Quintet No. 6 in E♭ major, K. 614, was completed by Wolfgang Amadeus Mozart on 12 April 1791. It is Mozart's last major chamber work. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello.)

The String Quintet No. 3 in C major, K. 515 was written by Wolfgang Amadeus Mozart. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello). The work was completed on 19 April 1787, less than a month before the completion of his stormy G Minor Quintet, K. 516. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies would be completed within a few weeks of each other.

Franz Schubert's final chamber work, the String Quintet in C major (D. 956, Op. posth. 163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in conventional string quintets. The piece was composed in 1828 and completed just two months before the composer's death. The first public performance of the piece did not occur until 1850, and publication occurred three years later in 1853. Schubert's only full-fledged string quintet, it has been called "sublime" and "extraordinary", been said to possess "bottomless pathos", and is generally regarded as Schubert's finest chamber work as well as one of the greatest compositions in all chamber music.

The String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola (i.e., two violins, two violas, and cello). The mood of the piece is dark and melancholic, typical of Mozart's G minor works. The work was completed on 16 May 1787, less than a month after the completion of his grand C major Quintet, K. 515. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies would be completed within a few weeks of each other. The autograph manuscript of the quintet is preserved in the Jagiellonian Library (Kraków).

The String Quintet No. 3 in C major, K. 515 was written by Wolfgang Amadeus Mozart. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello). The work was completed on 19 April 1787, less than a month before the completion of his stormy G Minor Quintet, K. 516. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies would be completed within a few weeks of each other.

The String Quintet No. 6 in E♭ major, K. 614, was completed by Wolfgang Amadeus Mozart on 12 April 1791. It is Mozart's last major chamber work. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello.)

A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio.

E-flat major is a major scale based on E♭, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E♭ minor, (or enharmonically D♯ minor). The E♭ major scale is: The E-flat harmonic major and melodic major scales are

The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.

Six Variations on "Hélas, j'ai perdu mon amant", K. 360/374b, is a composition in G minor for piano and solo violin by Wolfgang Amadeus Mozart, composed when he was 25 years old (June 1781). The six variations are nominally on a French ariette, "Hélas, j'ai perdu mon amant" ("Alas, I have lost my lover") by Antoine Albanèse (1729–1800), an Italian-born French castrato singer and composer. However, it appears that Mozart misnamed the melody used, which was actually entitled "Au bord d'une fontaine" ("By the edge of a fountain"). The Neue Mozart-Ausgabe points out that no French tune bearing the title "Hélas, j'ai perdu mon amant" ever existed. The melody also existed far earlier in France than Albanèse's version, since at least the sixteenth century. It is thought to have been written for Mozart's first piano student in Vienna, Marie Karoline, Countess Thiennes de Rumbeke (1755–1812), a cousin of Philipp von Cobenzl.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

This is a list of sonatas by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart composed six sonatas for keyboard with accompaniment of violin (or flute) and cello, K. 10–15, in late 1764 in London during the Mozart family's grand tour of Europe. Britain's Queen Charlotte commissioned them on 25 October, and the works were dedicated to her on 18 January 1765. They were published as Mozart's "Opus III" by his father Leopold at 20 Frith Street, Soho, London, where the Mozarts lived from September 1764 until after May 1765. The keyboard part was originally written for a harpsichord. Unlike Mozart's other works for violin and keyboard, the first edition was printed with a separate ad libitum cello part for all six sonatas. The part mostly doubles the principal notes in the left hand part of the keyboard in the manner of Haydn's early piano trios (e.g. Trio No. 5 in G minor, Hob. XV:1), or a set of similarly scored sonatas (Op. 2, WB 43–48) by Queen Charlotte's music teacher Johann Christian Bach. Bach befriended the young Mozart, and became an important influence on the younger composer's evolving style. The Neue Mozart-Ausgabe therefore includes the works with the piano trios, unlike the earlier Alte Mozart-Ausgabe and the various editions of the Köchel catalogue which list them as violin sonatas (or flute sonatas).

The Symphony No. 39 in E♭ major of Wolfgang Amadeus Mozart, K. 543, was completed on 26 June 1788.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Symphony No. 39 in E♭ major of Wolfgang Amadeus Mozart, K. 543, was completed on 26 June 1788.

Violin Sonata No. 17 in C Major, K. 296, was composed by Wolfgang Amadeus Mozart on 11 March 1778 in Mannheim, Germany and was first published in 1781 as part of Mozart's Opus 2 collection. It is the first work of his 'mature sonatas' (those not written in his childhood), which were written between 1778 and 1788. The work was dedicated to Josepha Barbara Auernhammer. The work consists of three movements: This work is written in the style popular in Mannheim, as Mozart was impressed upon playing the violin sonatas of Joseph Schuster, noting that they were “very popular” in Mannheim.

Violin Sonata No. 18 in G major (K. 301/293a) was composed by Wolfgang Amadeus Mozart in March 1778 in Mannheim, Germany, and was first published in the same year as part of Mozart's Opus 1 collection, which was dedicated to Countess Palatine Elisabeth Auguste of Sulzbach and are consequently known as the Palatine Sonatas (Kurfürstin Sonaten). The work consists of two movements:

Violin Sonata No. 19 in E♭ major (K. 302/293b) was composed by Wolfgang Amadeus Mozart in March 1778 in Mannheim, Germany and was first published in the same year as part of Mozart's Opus 1 collection, which was dedicated to Maria Elisabeth, Electress of the Palatinate and are consequently known as the Palatine Sonatas. The work consists of two movements:

Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Sonata for Piano and Violin No. 21 in E minor (K. 304/300c) is a work by Wolfgang Amadeus Mozart. It was composed in 1778 while Mozart was in Paris. The piece was composed during the same period that Mozart's mother, Anna Maria Mozart, died, and the sonata's mood reflects this. It is the only violin sonata by Mozart in a minor key. Martin-Joseph Mengal arranged the two movements to wind quintet and incorporated them in his Quintetto tiré des œuvres de Mozart.

This is a list of sonatas by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart's Violin Sonata No. 23 in D Major, K. 306, was completed in 1778 in Paris. The sonata contains three movements: (Some sources and scores list the second movement as Andante cantabile.)

The Sonata in A for Violin and Keyboard, K. 526, was written in Vienna in 1787 by Wolfgang Amadeus Mozart. It is placed in the Köchel catalogue between the string serenade Eine kleine Nachtmusik (K. 525) and the opera Don Giovanni (K. 527). There are three movements: It is the last of Mozart's substantial violin sonatas, with the only remaining work he wrote for this combination, the sonata in F, K. 547 of 1788 being more of a sonatina. It is also considered by several authors, including Alfred Einstein, to be part of his last series of three great violin sonatas which starts with the Regina Strinasacchi sonata in B♭ K. 454 from 1784 (his annus mirabilis, the year also of the six great piano concertos 14 – 19 and the quintet for piano and winds) and continuing with the E♭ violin sonata from December 1785. The first movement is a movement in sonata form in 68 time, with more evenly divided contributions between the two instruments than in the earliest of his sonatas, an exposition divided between its two tonal groups (A and E major), and a compact but unwasteful development section. The second movement has, for a classical period slow sonata form, an extended development—it is much more characteristic for slow movements in sonata form, especially middle slow movements, to have exceptionally brief middle sections before the return of the main material, and that is not the case here. The passage just before the recapitulation brings a sequence of enharmonic changes and, for the period, wide modulations. The finale is a rondo with a particularly agitated middle section.

Violin Sonata No. 25, K. 377 in F major by Wolfgang Amadeus Mozart is a 1781 sonata in three movements.

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.

Violin Sonata No. 27 in G major (K. 379/373a) was composed by Wolfgang Amadeus Mozart in Vienna in 1781 and first published in the same year.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a Classical composer and musician. In his brief life, he completed more than 800 works including outstanding examples of most of the genres of his time: symphonies, concertos, chamber music, opera, and choral music. Born in Salzburg, Mozart quickly emerged as a child prodigy under the training of his father Leopold, a skilled pedagogue. At age five, he was already competent on keyboard and violin, had begun to compose, and had performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17 he was a musician at the Salzburg court but grew restless and travelled in search of a better position. A fruitless journey in search of employment (1777–1779) led him to Paris, Mannheim, Munich, and eventually back to Salzburg. During this time he wrote his five violin concertos, the Sinfonia Concertante, various masses, and the opera Idomeneo. While he was visiting Vienna in 1781, Mozart's quarrels with his Salzburg employers came to a head and he was dismissed. He chose to remain in Vienna, where he stayed for the rest of his life, achieving fame and some financial success, but no long-term security. During Mozart's early years in Vienna he produced several notable works, such as the opera Die Entführung aus dem Serail, the Great Mass in C minor, the "Haydn" Quartets and a number of symphonies. Throughout his Vienna years Mozart composed more than a dozen piano concertos, many considered some of his greatest achievements. In the final years of his life, he wrote many of his best-known works, including his last three symphonies, culminating in the Jupiter, the serenade Eine kleine Nachtmusik, his Clarinet Concerto, the operas Le nozze di Figaro, Don Giovanni, Così fan tutte and Die Zauberflöte, the Piano Concerto No. 27 and his Requiem. The Requiem was largely unfinished at the time of his death at age 35.

This is a list of sonatas by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote in Salzburg at the age of 11 : K. 37 and 39–41. The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April (K. 37) and July (K. 39–41) of 1767. Although these works were long considered to be original, they are now known to be pasticcios of sonatas by various German composers. The works on which the concertos are based were largely published in Paris, and presumably Mozart and his family became acquainted with them or their composers during their visit to Paris in 1763–64. By using movements from the sonatas of other composers, the young Mozart seems to have begun to learn how to cope with the structural problems of composing in the piano concerto form. It may be that Leopold Mozart had devised this as a compositional teaching method. If so, it seems that this may have been the first time this had been done by the composer. This is perhaps supported by two facts: First, Leopold excluded the first four concertos from his 1768 list, suggesting that he may not have considered them true compositions by his son. Second, the autographs of the four works are the joint products of both Mozart and Leopold (although K. 41 is mainly in Leopold's hand alone).

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Violin Sonata No. 32 in B♭ major (K. 454) is a composition by Wolfgang Amadeus Mozart. It was completed in Vienna on April 21, 1784, and was published by Christoph Torricella in a group of three sonatas (together with the piano sonatas K. 284 and K. 333). The sonata was written for a violin virtuoso Regina Strinasacchi of Mantua to be performed by them together at a concert in the Kärntnerthor Theater in Vienna on April 29, 1784. Although Mozart had the piano part securely in his head, he did not give himself enough time to write it out, and thus it was performed with a sheet of blank music paper in front of him in order to fool the audience. According to a story told by his widow Constanze Mozart, the Emperor Joseph II saw the empty sheet music through his opera glasses and sent for the composer with his manuscript, at which time Mozart had to confess the truth, although that is likely to have amazed the monarch rather than cause his irritation. The work consists of three movements: The sonata opens with an exceptionally slow introduction, in which emphasis is put on the equality of the two instruments, kept throughout the entire work. The opening theme was later echoed by Haydn Op. 50 No. 1 String Quartet and Beethoven's String Quartet No. 1. The second movement has a melodic feeling of adagio, which was the tempo written down by Mozart at first, but then crossed out and marked Andante. In the development section there are bold chromatic modulations. The final movement returns to the playful mood of the first, but even so happens to be a very sophisticated Rondo. The autograph is located in the archive of Stiftelsen Musikkulturens Främjande (The Nydahl Collection) in Stockholm.

Violin Sonata No. 33 in E♭ major (K. 481) was composed by Wolfgang Amadeus Mozart in Vienna and listed in his personal catalogues of his works on December 12, 1785. It was published on its own by Franz Anton Hoffmeister, a German composer and music publisher to whom Mozart's String Quartet No. 20 (K. 499) is dedicated. The musicologist Marius Flothuis states that although much is unknown about the history of this sonata, it is certainly "one of the most mature works in Mozart's whole chamber output". Carl Friedrich Cramer in a 1783 review of this and Mozart's other mature piano and violin sonatas praised the style of composing for instruments in a democratic manner, fitting for the style, requiring skill and talent of both instrumentalists. Indeed, Manafu rates these sonatas as of crucial importance in the development of the genre.

The Sonata in A for Violin and Keyboard, K. 526, was written in Vienna in 1787 by Wolfgang Amadeus Mozart. It is placed in the Köchel catalogue between the string serenade Eine kleine Nachtmusik (K. 525) and the opera Don Giovanni (K. 527). There are three movements: It is the last of Mozart's substantial violin sonatas, with the only remaining work he wrote for this combination, the sonata in F, K. 547 of 1788 being more of a sonatina. It is also considered by several authors, including Alfred Einstein, to be part of his last series of three great violin sonatas which starts with the Regina Strinasacchi sonata in B♭ K. 454 from 1784 (his annus mirabilis, the year also of the six great piano concertos 14 – 19 and the quintet for piano and winds) and continuing with the E♭ violin sonata from December 1785. The first movement is a movement in sonata form in 68 time, with more evenly divided contributions between the two instruments than in the earliest of his sonatas, an exposition divided between its two tonal groups (A and E major), and a compact but unwasteful development section. The second movement has, for a classical period slow sonata form, an extended development—it is much more characteristic for slow movements in sonata form, especially middle slow movements, to have exceptionally brief middle sections before the return of the main material, and that is not the case here. The passage just before the recapitulation brings a sequence of enharmonic changes and, for the period, wide modulations. The finale is a rondo with a particularly agitated middle section.

The Sonata in F for Violin and Keyboard, K. 547, was completed in Vienna on July 10, 1788 by Wolfgang Amadeus Mozart. The sonata is often nicknamed "For Beginners" and was completed two weeks after the similarly nicknamed piano sonata in C major, K. 545. Unlike the previous few keyboard sonatas, where the violin played an equal role, this sonata is dominated by the keyboard part. In that regard, only the violin part is easy and the keyboard part is not "for beginners". There are three movements all in the tonic key of F major: The movements are ordered in a non-standard manner with the "slow" movement first and the expansive Allegro in sonata form placed second. There is significant dialogue between the violin and keyboard in the opening movement, but the keyboard dominates the latter two. The sonata ends with a set of six variations on a simple theme. The fourth variation is the only variation to feature the violin prominently and the fifth variation is in F minor for keyboard alone. The second movement was arranged for solo piano along with a transcription of the finale of the piano sonata in C, K. 545 to form the Piano Sonata in F major, K. 547a.

Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote in Salzburg at the age of 11 : K. 37 and 39–41. The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April (K. 37) and July (K. 39–41) of 1767. Although these works were long considered to be original, they are now known to be pasticcios of sonatas by various German composers. The works on which the concertos are based were largely published in Paris, and presumably Mozart and his family became acquainted with them or their composers during their visit to Paris in 1763–64. By using movements from the sonatas of other composers, the young Mozart seems to have begun to learn how to cope with the structural problems of composing in the piano concerto form. It may be that Leopold Mozart had devised this as a compositional teaching method. If so, it seems that this may have been the first time this had been done by the composer. This is perhaps supported by two facts: First, Leopold excluded the first four concertos from his 1768 list, suggesting that he may not have considered them true compositions by his son. Second, the autographs of the four works are the joint products of both Mozart and Leopold (although K. 41 is mainly in Leopold's hand alone).

Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote in Salzburg at the age of 11 : K. 37 and 39–41. The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April (K. 37) and July (K. 39–41) of 1767. Although these works were long considered to be original, they are now known to be pasticcios of sonatas by various German composers. The works on which the concertos are based were largely published in Paris, and presumably Mozart and his family became acquainted with them or their composers during their visit to Paris in 1763–64. By using movements from the sonatas of other composers, the young Mozart seems to have begun to learn how to cope with the structural problems of composing in the piano concerto form. It may be that Leopold Mozart had devised this as a compositional teaching method. If so, it seems that this may have been the first time this had been done by the composer. This is perhaps supported by two facts: First, Leopold excluded the first four concertos from his 1768 list, suggesting that he may not have considered them true compositions by his son. Second, the autographs of the four works are the joint products of both Mozart and Leopold (although K. 41 is mainly in Leopold's hand alone).

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.