Moeran: Vocal Works
View all works by Moeran in the main appExplore the complete catalog of Vocal compositions by Moeran. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 6 Folksongs from Norfolk, for voice and piano |
This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instruments—usually two violins, viola and cello—unless stated otherwise. |
|
| 6 Suffolk Folksongs, for voice and piano |
This is a list of notable events in music that took place in 1931. |
|
| 7 Poems by James Joyce, for voice and piano |
John Nicholson Ireland (13 August 1879 – 12 June 1962) was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man". |
|
| Blue-eyed Spring, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Can't you dance the Polka |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Come Away, Death, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Dream of Death, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| English Lyrics, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Far in a western brookland |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Gaol Song, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Gather Ye Rosebuds, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| High Germany, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| If There Be Any Gods, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| In Youth is Pleasure, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Invitation in Autumn, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Irish Elegy, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Loveliest of trees, for voice and piano |
"Loveliest of trees, the cherry now" is a lyric poem by the English Latin scholar and poet A. E. Housman. Originally written in 1895, it was first published as the second poem in his collection A Shropshire Lad, where it appeared under the Roman numeral II, but without other title. It is usually referred to by its first line. Its theme, voiced by a young man contemplating cherry blossom, is the transitoriness of life and beauty, and the need to enjoy them while they last. It is probably Housman's best-known poem, and one of the most anthologized of English lyrics. Its opening line has become a part of the language, "inextricably lodged in the public mind and vocabulary". In a 1995 poll it was chosen as one of the British people's 100 favourite poems. It has been set to music over 60 times. |
|
| Ludlow Town, songs for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Maltworms, for soloist, chorus and piano | ||
| Mantle of Blue, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Mrs Dyer, the Baby Farmer, for soloist, chorus and piano | ||
| Nocturne, for baritone, chorus and orchestra |
A nocturne is a musical composition that is inspired by, or evocative of, the night. |
|
| Oh fair enough are sky and plain, for voice and piano |
George Sainton Kaye Butterworth, MC (12 July 1885 – 5 August 1916) was an English composer who was best known for the orchestral idyll The Banks of Green Willow and his song settings of A. E. Housman's poems from A Shropshire Lad. He was awarded the Military Cross for his gallantry during the fighting at the Battle of Pozières in the First World War, and died during the Battle of the Somme. |
|
| Parson and Clerk, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Poems of Seumas O'Sullivan, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Rahoon, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Robin Hood Borne on his Bier, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Rosaline, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Rosefrail, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Shakespeare Songs, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Sheep Shearing |
John Goss (10 May 1894 – 13 February 1953) was a baritone recital singer and teacher. He was a key figure in 1920s English musical life, befriending composers such as Rebecca Clarke, Frederick Delius, Bernard van Dieren, E J Moeran and Peter Warlock. He became well known for his concerts mixing classical lieder and English art song with what he called "sociable songs" - folk song, popular drinking songs, army songs and sea shanties. He moved to Canada in 1939, where he stayed until 1950. |
|
| Songs from County Kerry, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Songs of Springtime, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Songs, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Spring goeth all in white, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The Day of Palms, for voice and piano |
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification. Names are listed first by year of birth, then in alphabetical order within each year. The 20th century is defined by the calendar rather than by any unifying characteristics of musical style or attitude, and is therefore not an era of the same order as the classical or romantic. However, the century can be divided into modern and postmodern eras that overlap and can be defined more by differences in attitude than style. |
|
| The Jolly Carter, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The Little Milkmaid, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The Merry Month of May |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The Merry Month of May, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The Monk's Fancy, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| The North Sea Ground, for voice and piano |
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. The British awards are often viewed as equivalent to or surpassing the American Grammy Awards, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide." The winners are selected annually by critics for the Gramophone magazine and various members of the industry, including retailers, broadcasters, arts administrators, and musicians. Awards are usually presented in September each year in London. |
|
| The Sailor and Young Nancy, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Tilly, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Troll the Bowl, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Twilight, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Weep you no more, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| Weep You No More, Sad Fountains, for chorus |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |
|
| When I came last to Ludow, for voice and piano | ||
| When June is come, for voice and piano |
Ernest John Smeed Moeran (; 31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs. The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare. In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing". |