Lully: Vocal Works
View all works by Lully in the main appExplore the complete catalog of Vocal compositions by Lully. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| Benedictus, for double chorus and orchestra, LWV64/2 | ||
| De profundis, for double chorus and orchestra, LWV62 | ||
| Dies irae, for double chorus and orchestra, LWV64/1 | ||
| Exaudiat Te Dominus |
Jean-Baptiste Lully (born Giovanni Battista Lulli; 28 or 29 November [O.S. 18 or 19 November] 1632 – 22 March 1687) was an Italian-French composer, dancer and instrumentalist, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous comédie-ballets, including L'Amour médecin, George Dandin ou le Mari confondu, Monsieur de Pourceaugnac, Psyché and his best known work, Le Bourgeois gentilhomme. |
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| Laudate pueri Dominum, for 3 voices and continuo, LWV77/7 | ||
| Miserere, for double chorus and orchestra, LWV25 | ||
| Natus in Judæa Deus, for double chorus and orchestra, LWV77/17 | ||
| O dulcissime Domine, for 3 voices and continuo, LWV77/9 | ||
| O lachrymae, for double chorus and orchestra, LWV26 | ||
| Plaude lætare, for double chorus and orchestra, LWV37 | ||
| Quare fremuerunt, for double chorus and orchestra, LWV67 | ||
| Scoca pur tutti, for voice, violin and continuo, LWV 76/3 | ||
| Te Deum, for double chorus and orchestra, LWV55 | ||
| Tout ce que j'attaque se rend | ||
| Venerabilis barba capucinorum, LWV76/xxvi |