This is a list of compositions by Erich Wolfgang Korngold. Source:

A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments. These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns, Lalo and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Many post-World War II composers (Shostakovich, Walton, Ligeti, Britten, Dutilleux, Lutoslawski and Penderecki among others) have written at least one. One special consideration composers must take with the cello (as well as all instruments with a low range) is with the issue of projection. Unlike instruments like the violin, whose high range projects fairly easily above the orchestra, the cello's lower notes can be easily lost when the cello is not playing a solo or near solo. Because of this, composers have had to deliberately pare down the orchestral component of cello concertos while the cello is playing in the lower registers.

This is a list of concertos and concertante works for piano left-hand and orchestra. The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann. More recently, Gary Graffman has commissioned a number of left-hand concertos.

This is a list of compositions by Erich Wolfgang Korngold. Source:

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who left Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of American film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

A sinfonietta is a symphony that is smaller in scale (either in terms of length or the instrumental forces required), or lighter in approach than a standard symphony. Although of Italian form, the word is not genuine in that language and has seldom been used by Italian composers. It appears to have been coined in 1874 by Joachim Raff for his Op. 188, but became common usage only in the early 20th century (Temperley 2001). Just as the term symphony itself can refer to pieces of music of varied size and scope, it is difficult to identify common criteria which pieces called sinfonietta share. Many of the sinfoniettas listed on this page employ larger forces and/or are longer than pieces designated symphonies, sometimes even by the same composer. Examples of sinfoniettas include: William Alwyn's Sinfonietta for strings (1970) Malcolm Arnold's Sinfonietta No. 1, Op. 48 (1954), Sinfonietta No. 2, Op. 65 (1958), and Sinfonietta No. 3, Op. 81 (1964) Alexander Arutiunian's Sinfonietta for string orchestra (1966) Jürg Baur's Triton-Sinfonietta: 3 Grotesken für Kammerorchester (1974) Maciej Bałenkowski's Sinfonietta no. 1 "Time is ticking" for string orchestra (2013/2014) and Sinfonietta no. 2 "Polonia" - hommage à Wojciech Kilar for string orchestra (2017/2018) Arnold Bax's Sinfonietta (1932) Lennox Berkeley's Sinfonietta, Op. 34 (1950) Herbert Blendinger's Sinfonietta, Op. 30 (1976) Eugène Bozza's Sinfonietta for string orchestra, Op. 61 (1944) Benjamin Britten's Sinfonietta, Op. 1 (1932) George Whitefield Chadwick's Sinfonietta (1904) Henry Cowell's Sinfonietta for chamber orchestra (1928) Ingolf Dahl's Sinfonietta for wind band Ikuma Dan's Sinfonietta (1974) Peter Maxwell Davies's Sinfonietta accademica (1987) Louis Durey's Sinfonietta for strings, Op. 105 (1966) Ulvi Cemal Erkin's Sinfonietta for string orchestra (1951–59) Iván Erőd's Minnesota Sinfonietta, Op. 51 Harald Genzmer's Sinfonietta for string orchestra Peggy Glanville-Hicks's Sinfonietta No. 1 in D minor for small orchestra (1935) and Sinfonietta No. 2 for orchestra (1938) Kimmo Hakola's Sinfonietta (1999) Ernesto Halffter's Sinfonietta in D major (1925) Josef Matthias Hauer's Sinfonietta in 3 Sätzen, Op. 50 Bernard Herrmann's Sinfonietta for string orchestra (1935) Paul Hindemith's Lustige Sinfonietta, Op. 4 (1916), and Symphonietta (Little Symphony) in E major (1949) Alun Hoddinott's Sinfonietta No. 1, Op. 56 (1968), Sinfonietta No. 2, Op. 67 (1969), Sinfonietta No. 3, Op. 71 (1970), and Sinfonietta No. 4 (1971) Bertold Hummel's Sinfonietta for wind orchestra, Op. 39 (1970) Mikhail Ippolitov-Ivanov's Sinfonietta, Op. 34 (arrangement for large orchestra of Violin Sonata, Op. 8) (1902) Leoš Janáček's Sinfonietta (1926) John Joubert's Sinfonietta for chamber orchestra, Op. 38 Pál Kadosa's Sinfonietta for orchestra Robert Kajanus's Sinfonietta, Op. 16 (1915) Vítězslava Kaprálová's Military Sinfonietta, Op. 11 (1937) Nikolai Kapustin's Sinfonietta for orchestra, Op. 49 (1986) Erich Wolfgang Korngold's Sinfonietta in B major, Op. 5 (1912) Ernst Krenek's Sinfonietta for string orchestra, "A brasileira", Op. 131 (1952) Ladislav Kubík's Sinfonietta No. 1 for 19 instruments (1999), No. 2, "Jacob’s Well" for orchestra (1999) and No. 3, "Gong" for mezzo-soprano, mixed choir, orchestra and electronics (2007–08) James MacMillan's Sinfonietta (1991) Elizabeth Maconchy's Sinfonietta (1976), not to be confused with her Little Symphony (1980–81) Tomás Marco's Sinfonietta No. 1 ("Opaco resplandor de la memoria"), for orchestra (1998–99), and Sinfonietta No. 2 "Curvas del Guadiana" (2004) Igor Markevitch's Sinfonietta in F (1928–29) Bohuslav Martinů's Sinfonietta giocosa (1940) and Sinfonietta La Jolla (1950), both for piano and chamber orchestra William Mathias's Sinfonietta, Op. 34 (1967) Johan de Meij's Sinfonietta No. 1 for brass band (2011) Darius Milhaud's Sinfonietta, Op. 363 (1957) E. J. Moeran's Sinfonietta (1944) José Pablo Moncayo's Sinfonietta (1945) Saburō Moroi's Sinfonietta in B-flat, Op. 24 "For Children" (1943) Nikolai Myaskovsky's Sinfonietta No. 1 for small orchestra, Op. 10 (1911), No. 2 for string orchestra, Op. 32 No. 2 (1929) and No. 3 for string orchestra, Op. 68 (1946) Ottokar Nováček's Sinfonietta for woodwind octet (1905) Krzysztof Penderecki's Sinfonietta No. 1 for string orchestra (1992), No. 2 for clarinet and strings (1994), No. 3 for string orchestra (2012) and Sinfonietta for flute and string orchestra (2019) George Perle's Sinfonietta I (1987) and II (1990) Astor Piazzolla's Sinfonietta for chamber orchestra, Op. 19 Walter Piston's Sinfonietta (1941) Francis Poulenc's Sinfonietta (1947) Sergei Prokofiev's Sinfonietta in A major, Op. 5 (1909, rev. 1929 as Op. 48) Joachim Raff's Sinfonietta for ten winds, Op. 188 (1874) Max Reger's Sinfonietta in A major, Op. 90 (1904–05) Wallingford Riegger's Sinfonietta (1959) Nikolai Rimsky-Korsakov's Sinfonietta on Russian Themes in A minor, Op. 31 (1879–84) Julius Röntgen's Sinfonietta humoristica (1922) Albert Roussel's Sinfonietta for string orchestra, Op. 52 (1934) Edmund Rubbra's Sinfonietta for large string orchestra, Op. 163 (1984–85) Cyril Scott's Sinfonietta for organ, harp and strings (1962) Humphrey Searle's Sinfonietta, Op. 49, for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, and double bass (1968–69) Kazimierz Serocki's Sinfonietta for 2 string orchestras (1956) Vissarion Shebalin's Sinfonietta on Russian folksongs, Op. 43 (1949–51) Nikos Skalkottas's Sinfonietta (1948–49) Carlos Surinach's Sinfonietta flamenca (1953–54) Germaine Tailleferre's Symphonietta for trumpet, tympani and strings (1974–75) Alexandre Tansman's Sinfonietta No. 1, "À mon ami Louis Gruenberg" (1924) and Sinfonietta No. 1, "À Renard Czajkowski" (1978) Boris Tchaikovsky's Sinfonietta for string orchestra (1953) Mikis Theodorakis's Sinfonietta for solo flute, piano and string orchestra (1947) Ernst Toch's Sinfonietta for string orchestra, Op. 96 (1964), Sinfonietta for wind instruments and percussion, Op. 97 (1964) Eduard Tubin's Sinfonietta on Estonian Motifs (1940) Geirr Tveitt's Sinfonietta di Soffiatori (1962) Erich Urbanner's Sinfonietta 79 Anatol Vieru's Sinfonietta (1975) Heitor Villa-Lobos's Sinfonietta No. 1 (1916) and Sinfonietta No. 2 (1947) Johan Wagenaar's Sinfonietta (1916) Graham Waterhouse's Sinfonietta for string orchestra, Op. 54 (2002) Franz Waxman's Sinfonietta for string orchestra and timpani Mieczysław Weinberg's Sinfonietta No. 1, Op. 41 (1948) and Sinfonietta No. 2 for string orchestra and timpani, Op. 74 (1960) Felix Weingartner's Sinfonietta, Op. 83 (1932) John Williams's Sinfonietta for wind ensemble (1968) Malcolm Williamson's Sinfonietta (1965) Alexander von Zemlinsky's Sinfonietta for orchestra, Op. 23 (1934) Zhu Jian'er's Sinfonietta, Op. 38 (1994) Matteo Zanetti's Symphonietta for string orchestra (2010)

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who left Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of American film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

Sursum corda is the opening dialogue to the Preface of the Eucharistic Prayer or Anaphora in the liturgies of the Christian Church. Sursum Corda may also refer to: Sursum Corda, Washington, D.C., a small neighborhood and housing cooperative in Washington, D.C. Sursum Corda (Italy), an early 20th-century Italian proto-fascist student movement Sursum corda (Elgar), an 1894 musical work by Edward Elgar Sursum Corda, Op. 13, a 1919 symphonic overture by Erich Wolfgang Korngold Sursum Corda, a co-educational social service organization at Loyola Marymount University

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who left Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of American film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

F-sharp major is a major scale based on F♯, consisting of the pitches F♯, G♯, A♯, B, C♯, D♯, and E♯. Its key signature has six sharps. Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains six flats in its key signature. The F-sharp major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic major and melodic major scales are:

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who left Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of American film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who left Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of American film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

This is a list of Private Passions episodes from 2005 to 2009. It does not include repeated episodes or compilations.

Erich Wolfgang Korngold composed his Violin Concerto in D major, Op. 35, in 1945.