Khachaturian: Vocal Works
View all works by Khachaturian in the main appExplore the complete catalog of Vocal compositions by Khachaturian. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 3 Concert Arias, for high voice and orchestra |
A concert hall is a cultural building with a stage that serves as a performance venue and an auditorium filled with seats. This list does not include other venues such as sports stadia, dramatic theatres or convention centres that may occasionally be used for concerts. The list is organised alphabetically by geo-political region or continent and then by country within each region. |
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| Ballad of the Motherland, for baritone and orchestra |
Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number. |
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| Ode of Joy, for mezzo-soprano, chorus, violin ensemble, harp ensemble, and orchestra |
Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number. |
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| Song of the Ashnug, for chorus and orchestra, "Poem about Stalin" |