Ibert: Stage Works

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Explore the complete catalog of Stage compositions by Ibert. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

Title Year Actions
Don Quichotte

Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of classical music. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I. Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including Divertissement (1930) and Escales (1922). As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces: Divertissement for small orchestra is lighthearted, even frivolous, and Escales (1922) is a ripely romantic work for large orchestra. In tandem with his creative work, Ibert was the director of the Académie de France at the Villa Medici in Rome. During World War II he was proscribed by the pro-Nazi government in Paris, and for a time he went into exile in Switzerland. Restored to his former eminence in French musical life after the war, his final musical appointment was in charge of the Paris Opera and the Opéra-Comique.

Felicie Nanteuil

Twilight (French: Félicie Nanteuil) is a 1944 French drama film directed by Marc Allégret and starring Claude Dauphin, Micheline Presle and Louis Jourdan.

La licorne

The 7th Cannes Film Festival took place from 25 March to 9 April 1954. French writer and filmmaker Jean Cocteau served as jury president for the main competition. This was the last festival with a predominantly French jury. The Grand Prix was awarded, as the highest prize of the Festival, to Gate of Hell by Teinosuke Kinugasa. As the festival was becoming more and more a pole of showbiz attraction, scandals and romances of stars were appearing in the press. In 1954, the Simone Silva affair during the Cannes Festival ended up in the destruction of her career as an actress and her premature death, three years later. The festival opened with Flesh and the Woman by Robert Siodmak.

Persée et Andromède

Persée et Andromède is the 1921 first opera of Jacques Ibert. A recording, with Yann Beuron and Annick Massis in the title roles and Philippe Rouillon as the monster, was conducted by Jan Latham-Koenig in 2002 for Avie.