Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 (taking over from founding conductor Frederic Archer) and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.

Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 (taking over from founding conductor Frederic Archer) and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.

Allan In Wonderland is an album by Allan Sherman, released by Warner Brothers Records.

James Sligo Jameson (17 August 1856 – 17 August 1888) was a Scottish naturalist and traveller in Africa. He identified the black honey-buzzard in 1877. Jameson's antpecker, Jameson's firefinch, and Jameson's wattle-eye are named after him. However, he is most remembered for his role in causing a slave girl to be killed and eaten by cannibals. A grandson of the founder of Jameson Irish Whiskey, Jameson was in his early twenties when he started to devote himself to travel. He went to Borneo by way of Ceylon, hunted in Southern Africa and the Rocky Mountains, and visited Spain and Algeria before getting married in 1885. Two years later, he decided to join the Emin Pasha Relief Expedition led by Henry Morton Stanley. In August 1888, while still deep in the Congo Basin, he died of a severe fever, a few months after allegedly paying associates of the slave trader Tippu Tip to procure a young slave girl who was then slaughtered and cooked in front of them. In his diary, Jameson admitted that he paid the charged price, saw the event, and made sketches of it, but claimed that he had considered the whole affair a joke and had not expected her to be actually killed. However, two members of the expedition accused him of having deliberately instigated the murder to satisfy his curiosity about cannibalism, and his diary shows him to be well informed of cannibal customs, making his line of defence doubtful. The occurrence became known as the Jameson Affair. The central character of Joseph Conrad's 1899 novella Heart of Darkness may have been modelled after Jameson. Some ornithologists have suggested renaming the bird species named after him because of his unethical behaviour in Africa.

Sir Alfred Herbert Brewer (21 June 1865 – 1 March 1928) was an English composer and organist. As organist of Gloucester Cathedral from 1896 until his death, he contributed a good deal to the Three Choirs Festival for 30 years.

Antonín Dvořák's Cello Concerto in B minor, Op. 104, B. 191, is his last solo concerto. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered in London on March 19, 1896, by the English cellist Leo Stern.

Antonín Dvořák's Cello Concerto in B minor, Op. 104, B. 191, is his last solo concerto. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered in London on March 19, 1896, by the English cellist Leo Stern.

Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 (taking over from founding conductor Frederic Archer) and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.

This list of compositions by Victor Herbert is sorted by genre.

Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 (taking over from founding conductor Frederic Archer) and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.

Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 (taking over from founding conductor Frederic Archer) and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.

The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to and premiered by his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.

This list of compositions by Victor Herbert is sorted by genre.

Herbert Lincoln Clarke (September 12, 1867 – January 30, 1945) was an American cornetist, feature soloist, bandmaster, and composer. He is considered the most prominent cornetist of his time. Clarke's legacy includes composing a portion of the standard repertoire for the instrument, many recordings, as well as a seminal school of playing which emphasized not only technical aptitude, but also increased warmth and lyricism of tone. He also produced several method books that are still used by brass students, for example the Clarke Studies.

This list of compositions by Victor Herbert is sorted by genre.

This list of compositions by Victor Herbert is sorted by genre.

John Herbert, nicknamed "Herbert the Pervert", is a fictional character in the animated television series Family Guy, created and voiced by Mike Henry. Herbert is an elderly neighbor of the Griffin family who first appeared in the season 3 episode "To Love and Die in Dixie". He is a pedophile and hebephile who is attracted to young boys, and he harbors unrequited love for Chris Griffin. Herbert has received mixed reviews from critics, who have expressed varying opinions on the pedophilia-related humor involving the character. Herbert has appeared in various Family Guy merchandise and has made several crossover appearances in The Cleveland Show, a Family Guy spin-off.

Unforgettable is an original jazz compilation by Nat King Cole. It was initially released on a 10-inch LP in 1952, and it was reissued on a 12-inch LP in 1954.

Herbert Lee "Cowboy" Coward (August 21, 1938 – January 24, 2024) was an American actor. He played one of two sadistic mountain men in John Boorman's 1972 film Deliverance (with Bill McKinney), and several of his lines became infamous in pop culture.

Jacob, later given the name Israel, is a Hebrew patriarch of the Abrahamic religions. He first appears in the Torah, where he is described in the Book of Genesis as a son of Isaac and Rebecca. Accordingly, alongside his older fraternal twin brother Esau, Jacob's paternal grandparents are Abraham and Sarah and his maternal grandfather is Bethuel, whose wife is not mentioned. He is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Then, following a severe drought in his homeland Canaan, Jacob and his descendants migrated to neighbouring Egypt through the efforts of his son Joseph, who had become a confidant of the pharaoh. After dying in Egypt at the age of 147, he is supposed to have been buried in the Cave of Machpelah in Hebron. Per the Hebrew Bible, Jacob's progeny were beget by four women: his wives (and maternal cousins) Leah and Rachel; and his concubines Bilhah and Zilpah. His sons were, in order of their birth: Reuben, Simeon, Levi, Judah, Dan, Naphtali, Gad, Asher, Issachar, Zebulun, Joseph, and Benjamin. He also had a daughter named Dinah, born to his first wife Leah. The descendants of Jacob's sons were collectively known as the Israelites, with each son being the forefather of one of the Twelve Tribes of Israel, of whom all but the Tribe of Levi were allotted territory in the Land of Israel. The Genesis narrative also states that Jacob displayed favoritism among his wives and children, preferring Rachel and her sons Joseph and Benjamin to the rest—culminating in Joseph's older brothers selling him into slavery out of resentment. Scholars have taken a mixed view as to Jacob's historicity, with archaeology so far producing no evidence for his existence. Archaeologist and scholar William Albright initially dated Jacob to the 19th century BCE, but later scholars, such as John J. Bimson and Nahum Sarna, argued against using archaeological evidence to support such claims due to limited knowledge of that period. Recent scholarship by Thomas L. Thompson and William Dever suggest that these narratives are late literary compositions with ideological purposes rather than historical accounts.

This list of compositions by Victor Herbert is sorted by genre.