The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

Album leaf is the title of numerous minor compositions by a wide variety of classical composers. It also appears in the French version, Feuille d'album or Feuillet d'album; the German version Albumblatt (pl. Albumblätter); the Russian version Листок из альбома (pl. Листки из альбома); the Spanish and Latin-American versions Hoja de álbum; and other languages. Many of these pieces are for piano solo, but the title has also been used for other instrumental pieces in the salon music genre, and for vocal pieces. They tend to be short, pleasant, and not particularly demanding on the performer. There is no standard form or structure; the title Album leaf is quite arbitrary, and these pieces could just as easily have been called Prelude, Impromptu, Romance, Humoresque or other names. Originally, the term "Album leaf" was used for pieces written in dedication to a friend or admirer, to be inserted into their album or autograph book, and not intended for publication. It later lost any association with a particular dedicatee.

Humoresque is a 1946 American melodrama film by Warner Bros. Pictures starring Joan Crawford and John Garfield in a tale about a violinist and his patroness. The screenplay by Clifford Odets and Zachary Gold was based upon the 1919 short story "Humoresque" by Fannie Hurst, which previously was made into a film in 1920. Humoresque was directed by Jean Negulesco and produced by Jerry Wald.

Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play Peer Gynt, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Grieg later created two suites from his Peer Gynt music. Some of the music from these suites has received coverage in popular culture.

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Grieg's Lyric Suite is an orchestration of four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Both Grieg and the Austro-Hungarian conductor Anton Seidl had a hand in the orchestration. It consists of three pieces revised by Grieg from Seidl's arrangements, and one piece arranged by Grieg alone. It was one of Grieg's later works and his last orchestral work.

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Grieg's Lyric Suite is an orchestration of four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Both Grieg and the Austro-Hungarian conductor Anton Seidl had a hand in the orchestration. It consists of three pieces revised by Grieg from Seidl's arrangements, and one piece arranged by Grieg alone. It was one of Grieg's later works and his last orchestral work.

Peer Gynt ( peer GHINT, Norwegian: [peːr ˈjʏnt, - ˈɡʏnt]) is a five-act play in verse written in 1867 by the Norwegian dramatist Henrik Ibsen. It is one of Ibsen's best known and most widely performed plays. Peer Gynt chronicles the journey of its titular character from the Norwegian mountains to the North African desert and back. According to Klaus Van Den Berg, "its origins are Romantic, but the play also anticipates the fragmentations of emerging modernism" and the "cinematic script blends poetry with social satire and realistic scenes with surreal ones." Peer Gynt has also been described as the story of a life based on procrastination and avoidance. Ibsen wrote Peer Gynt in deliberate disregard of the limitations that the conventional stagecraft of the 19th century imposed on drama. Its forty scenes move uninhibitedly in time and space and between consciousness and the unconscious, blending folkloric fantasy and unsentimental realism. Raymond Williams compares Peer Gynt with August Strindberg's early drama Lucky Peter's Journey (1882) and argues that both explore a new kind of dramatic action that was beyond the capacities of the theatre of the day; both created "a sequence of images in language and visual composition" that "became technically possible only in film." Ibsen believed Per Gynt, a Norwegian fairy-tale by which the play is loosely inspired, to be rooted in fact. He also wrote that he had used his own family—the intertwined Ibsen/Paus family of Skien—and childhood memories as "some kind of model" for the Gynt family; he acknowledged that the character of Åse—Peer Gynt's mother—was based on his own mother, Marichen Altenburg, while Peer's father Jon Gynt is widely interpreted as based on Ibsen's father Knud Ibsen. He was also generally inspired by Peter Christen Asbjørnsen's collection of Norwegian fairy-tales, Huldre-Eventyr og Folkesagn, published in 1845. The play was written in Italy, and a first edition of 1,250 copies was published on 14 November 1867 by the Danish publisher Gyldendal in Copenhagen. Although the first edition swiftly sold out, a reprint of two thousand copies, which followed after only fourteen days, did not sell out until seven years later. During Ibsen's lifetime, Denmark and Norway had a largely identical written language based on Danish, but Ibsen wrote Peer Gynt in a somewhat modernized Dano-Norwegian that included a number of distinct Norwegian words. Peer Gynt was first performed in Christiania (now Oslo) on 24 February 1876, with original music composed by Edvard Grieg that includes some of today's most recognised classical pieces, "In the Hall of the Mountain King" and "Morning Mood". It was published in German translation in 1881, in English in 1892, and in French in 1896. The contemporary influence of the play continues into the twenty-first century; it is widely performed internationally both in traditional and in modern experimental productions. While Bjørnstjerne Bjørnson admired the play's "satire on Norwegian egotism, narrowness, and self-sufficiency" and described it as "magnificent", Hans Christian Andersen, Georg Brandes and Clemens Petersen all joined the widespread hostility, with Petersen writing that the play was not poetry. Enraged by Petersen's criticisms in particular, Ibsen defended his work by arguing that it "is poetry; and if it isn't, it will become such. The conception of poetry in our country, in Norway, shall shape itself according to this book." Despite this defense of his poetic achievement in Peer Gynt, the play was his last to employ verse; from The League of Youth (1869) onwards, Ibsen was to write drama only in prose.

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Lyric Pieces (Norwegian: Lyriske stykker) is a collection of 66 short pieces for solo piano written by Edvard Grieg. They were published in 10 volumes, from 1867 (Op. 12) to 1901 (Op. 71). The collection includes several of his best known pieces, such as "Wedding Day at Troldhaugen" ("Bryllupsdag på Troldhaugen"), "To Spring" ("Til våren"), "March of the Trolls" ("Trolltog"), and "Butterfly" ("Sommerfugl"). The theme of the first piece in the set, "Arietta", was one of the composer's favorite melodies. He used it to complete the cycle in his last lyric piece, "Remembrances" ("Efterklang") — this time as a waltz. The first complete recording of the Lyric Pieces was recorded and released in the Soviet Union by Alexander Goldenweiser in the 1950s. In 2002, Norwegian pianist Leif Ove Andsnes recorded a CD with 24 of the lyric pieces on Grieg's own 1892 Steinway grand piano at Troldhaugen, the composer's residence. Among other notable pianists to have made recordings of the collection are Daniel Gortler, Håkon Austbø, Aldo Ciccolini, Andrei Gavrilov, Walter Gieseking, Emil Gilels, Stephen Hough, Eva Knardahl, Juhani Lagerspetz, Daniel Levy, Gerhard Oppitz, Javier Perianes, Sviatoslav Richter and Einar Steen-Nøkleberg. A few recordings and piano rolls of Grieg himself performing also exist, and they have been published by the Norwegian record label Simax. Four of the six pieces from Book V, Op. 54, were orchestrated under the title of Lyric Suite. Both Grieg and Anton Seidl had a hand in the orchestrations. Grieg also orchestrated two of the pieces from Book IX, Op. 68.

Lyric Pieces (Norwegian: Lyriske stykker) is a collection of 66 short pieces for solo piano written by Edvard Grieg. They were published in 10 volumes, from 1867 (Op. 12) to 1901 (Op. 71). The collection includes several of his best known pieces, such as "Wedding Day at Troldhaugen" ("Bryllupsdag på Troldhaugen"), "To Spring" ("Til våren"), "March of the Trolls" ("Trolltog"), and "Butterfly" ("Sommerfugl"). The theme of the first piece in the set, "Arietta", was one of the composer's favorite melodies. He used it to complete the cycle in his last lyric piece, "Remembrances" ("Efterklang") — this time as a waltz. The first complete recording of the Lyric Pieces was recorded and released in the Soviet Union by Alexander Goldenweiser in the 1950s. In 2002, Norwegian pianist Leif Ove Andsnes recorded a CD with 24 of the lyric pieces on Grieg's own 1892 Steinway grand piano at Troldhaugen, the composer's residence. Among other notable pianists to have made recordings of the collection are Daniel Gortler, Håkon Austbø, Aldo Ciccolini, Andrei Gavrilov, Walter Gieseking, Emil Gilels, Stephen Hough, Eva Knardahl, Juhani Lagerspetz, Daniel Levy, Gerhard Oppitz, Javier Perianes, Sviatoslav Richter and Einar Steen-Nøkleberg. A few recordings and piano rolls of Grieg himself performing also exist, and they have been published by the Norwegian record label Simax. Four of the six pieces from Book V, Op. 54, were orchestrated under the title of Lyric Suite. Both Grieg and Anton Seidl had a hand in the orchestrations. Grieg also orchestrated two of the pieces from Book IX, Op. 68.

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The Holberg Suite, Op. 40, (Norwegian: Fra Holbergs tid (From Holberg's Time)), subtitled "Suite i gammel stil" ("Suite in olden style"), is a suite of five movements based on eighteenth-century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg (1684–1754). It exemplifies nineteenth-century music which makes use of musical styles and forms from the preceding century. Although not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit.

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number

Edvard Hagerup Grieg ( GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Grieg's Piano Sonata in E minor, Op. 7 was written in 1865 when he was 22 years old. The sonata was published a year later and revised in 1887. The work was Grieg's only piano sonata and it was dedicated to the Danish composer Niels Gade. The sonata has four movements with the following tempo markings: A typical performance lasts around 20 minutes. In the first movement Grieg used a technique probably most famously used by J.S. Bach and Shostakovich: his own name, more precisely his initials E–H–G (H being the German name for note B), begins the melody in the first two bars, which is reiterated in octaves and even echoed by the left hand in bars 14 and 15. He used the same method in his two compositions of the Lyric Pieces: "Gade", Op. 57, No. 2 and "Secret", Op. 57, No. 4, using the name of his admired colleague Gade. In a 1944 letter to Ella Grainger, Percy Grainger mentioned planning to orchestrate the sonata. He apparently did so, but only a sketch is extant. However, an orchestration of the Menuetto by Danish composer Robert Henriques exists.

The following is a sortable list of compositions by Edvard Grieg (1843–1907). The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: Opus numbers (Op.) 1–74 EG numbers (EG) 101–181, for works with no assigned opus number