This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations.

Percy Aldridge Grainger (born George Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudely racialist or anti-Semitic terms. In 1914 Grainger moved to the United States, where he lived for the rest of his life, though he travelled widely in Europe and Australia. He served briefly as a bandsman in the United States Army during the First World War through 1917–18, and took American citizenship in 1918. After his mother's suicide in 1922, he became increasingly involved in educational work. He also experimented with music machines, which he hoped would supersede human interpretation. In the 1930s he set up the Grainger Museum in Melbourne, his birthplace, as a monument to his life and works, and as a future research archive. As he grew older, he continued to give concerts and to revise and rearrange his own compositions, while writing little new music. After the Second World War, ill health reduced his levels of activity. He considered his career a failure. He gave his last concert in 1960, less than a year before his death.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

Colonial Song is a musical composition written by Australian composer Percy Grainger. Although Grainger created versions for different types of musical ensembles, its most commonly used version today is for concert band.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

An orchestra ( ; OR-ki-strə) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: The string section, including the violin, viola, cello, and double bass and Harp The woodwind section, including the flute, oboe, clarinet, bassoon, and occasionally saxophone The brass section, including the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium The percussion section, including the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, free-bass accordion and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a symphony orchestra or philharmonic orchestra (from Greek phil-, "loving", and "harmony"). The number of musicians employed in a given performance may vary from seventy to over one hundred, depending on the work being played and the venue size. A chamber orchestra (sometimes a concert orchestra) is a smaller ensemble of not more than around fifty musicians. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel, or Classical repertoire, such as that of Haydn and Mozart, tend to be smaller than orchestras performing a Romantic music repertoire such as the symphonies of Ludwig van Beethoven and Johannes Brahms. The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras of as many as 120 players called for in the works of Richard Wagner and later Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by using a short wooden rod known as a conductor's baton. The conductor unifies the orchestra, sets the tempo, and shapes the sound of the ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed. The leader of the first violin section – commonly called the concertmaster – also plays an important role in leading the musicians. In the Baroque music era (1600–1750), orchestras were often led by the concertmaster, or by a chord-playing musician performing the basso continuo parts on a harpsichord or pipe organ, a tradition that some 20th-century and 21st-century early music ensembles continue. Orchestras play a wide range of repertoire, including symphonies, opera and ballet overtures, concertos for solo instruments, and pit ensembles for operas, ballets, and some types of musical theatre (e.g., Gilbert and Sullivan operettas). Amateur orchestras include youth orchestras made up of students from an elementary school, a high school, or a university, and community orchestras; typically they are made up of amateur musicians from a particular city or region. The term orchestra derives from the Greek ὀρχήστρα (orchestra), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The "Londonderry Air" is an Irish air (folk tune) that originated in County Londonderry, first recorded in the nineteenth century. The tune is played as the victory sporting anthem of Northern Ireland at the Commonwealth Games. The song "Danny Boy" written by English lawyer Fred Weatherly uses the tune, with a set of lyrics written in the early 20th century.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

Percy Aldridge Grainger (born George Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudely racialist or anti-Semitic terms. In 1914 Grainger moved to the United States, where he lived for the rest of his life, though he travelled widely in Europe and Australia. He served briefly as a bandsman in the United States Army during the First World War through 1917–18, and took American citizenship in 1918. After his mother's suicide in 1922, he became increasingly involved in educational work. He also experimented with music machines, which he hoped would supersede human interpretation. In the 1930s he set up the Grainger Museum in Melbourne, his birthplace, as a monument to his life and works, and as a future research archive. As he grew older, he continued to give concerts and to revise and rearrange his own compositions, while writing little new music. After the Second World War, ill health reduced his levels of activity. He considered his career a failure. He gave his last concert in 1960, less than a year before his death.

Below is a list of compositions by Fritz Kreisler sorted by genre.

"My Robin is to the greenwood gone" or "Bonny Sweet Robin" is an English popular tune from the Renaissance. The earliest extant score of the ballad appears in William Ballet's Lute Book (c. 1600) as "Robin Hood is to the greenwood gone". References to the song can be dated back to 1586, in a letter from Sir Walter Raleigh to Robert Dudley, 1st Earl of Leicester saying "The Queen is in very good terms with you now, and, thanks be to God, will be pacified, and you are again her Sweet Robin." Although the words have been lost, it is suspected that the character Ophelia, who is specified in the First Quarto version of Hamlet to be a lutenist, sings the last line of the tune ("For bonny sweet Robin is all my joy") during her madness (Hamlet 4.5/210). Some scholars believe that Shakespeare's choice of the song was meant to invoke phallic symbolism.

Percy Aldridge Grainger (born George Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudely racialist or anti-Semitic terms. In 1914 Grainger moved to the United States, where he lived for the rest of his life, though he travelled widely in Europe and Australia. He served briefly as a bandsman in the United States Army during the First World War through 1917–18, and took American citizenship in 1918. After his mother's suicide in 1922, he became increasingly involved in educational work. He also experimented with music machines, which he hoped would supersede human interpretation. In the 1930s he set up the Grainger Museum in Melbourne, his birthplace, as a monument to his life and works, and as a future research archive. As he grew older, he continued to give concerts and to revise and rearrange his own compositions, while writing little new music. After the Second World War, ill health reduced his levels of activity. He considered his career a failure. He gave his last concert in 1960, less than a year before his death.

This is a list of Private Passions episodes from 2020 to present. It does not include repeated episodes or compilations.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The table below shows all known compositions by Edward Elgar.

This is a compilation of pieces for cello and pipe organ. See also the entries on cello and the List of compositions for cello and orchestra, List of compositions for cello and piano and List of solo cello pieces. Ordering is by surname of composer.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

Percy Aldridge Grainger (born George Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudely racialist or anti-Semitic terms. In 1914 Grainger moved to the United States, where he lived for the rest of his life, though he travelled widely in Europe and Australia. He served briefly as a bandsman in the United States Army during the First World War through 1917–18, and took American citizenship in 1918. After his mother's suicide in 1922, he became increasingly involved in educational work. He also experimented with music machines, which he hoped would supersede human interpretation. In the 1930s he set up the Grainger Museum in Melbourne, his birthplace, as a monument to his life and works, and as a future research archive. As he grew older, he continued to give concerts and to revise and rearrange his own compositions, while writing little new music. After the Second World War, ill health reduced his levels of activity. He considered his career a failure. He gave his last concert in 1960, less than a year before his death.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style. There are distinct regional and local variations in content and style, particularly in areas more removed from the most prominent English cities, as in Northumbria, or the West Country. Cultural interchange and processes of migration mean that English folk music, although in many ways distinctive, has significant crossovers with the music of Scotland. When English communities migrated to the United States, Canada and Australia, they brought their folk traditions with them, and many of the songs were preserved by immigrant communities. English folk music has produced or contributed to several cultural phenomena, including sea shanties, jigs, hornpipes and the music for Morris dancing. It has also interacted with other musical traditions, particularly classical and rock music, influencing musical styles and producing musical fusions, such as British folk rock, folk punk and folk metal. There remains a flourishing sub-culture of English folk music, which continues to influence other genres and occasionally gains mainstream attention.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

Many classical and later composers have written compositions in the form of variations on a theme by another composer. This is an incomplete list of such works, sorted by the name of the original composer. The list does not include variations written on composers' own or original themes, or on folk, traditional or anonymous melodies. Many of these works are called simply "Variations on a Theme of/by ...". Other works, which often involve substantial development or transformation of the base material, may have more fanciful titles such as Caprice, Fantasy, Paraphrase, Reminiscences, Rhapsody, etc. These other types of treatments are not listed here unless there is evidence that they include variations on a theme.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.

The published musical compositions of Percy Grainger (1882–1961) fall into two main categories: (a) original works and (b) folksong settings. There are also numerous unpublished works, sketches and juvenilia. Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication. Many of the compositions exist in a number of different versions, some of which refer to "elastic scoring", a means which permits performances by undefined musical forces ranging from small instrumental groups to full orchestra. Publication dates refer to the first publications of individual works, although Grainger often continued to revise and prepare new versions of works long after their initial publication. The lists below do not represent a full record of Grainger's compositional work. Grainger's biographer John Bird has referred to the near-impossibility of cataloguing all of the composer's work, bearing in mind that "[h]is original compositions are scattered to the four corners of the earth". In the mid-1970s the Grainger Museum in Melbourne began the work of rationalising and cataloguing its large collection of Grainger manuscripts, and published its initial results in 1978. Grainger also made many arrangements of other composers' works, which are not listed here.