Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

"Scarborough Fair" (Roud 12, Child 2) is a traditional Northern English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes (1891) by Frank Kidson, who claims to have collected it from Whitby. The melody was collected from Mark Anderson (1874–1953), a retired lead miner from Middleton-in-Teesdale, County Durham, England, by Ewan MacColl in 1947. This version was recorded by a number of musicians in the 20th century, including the 1966 arrangement in counterpoint by the American folk rock duo Simon & Garfunkel, who learned the ballad from Martin Carthy. A slightly different rendition of the ballad (referred to as "The Cambric Shirt", or "Parsley, Sage, Rosemary and Thyme") had been recorded by John Lomax in 1939 in the United States. Sarah Brightman also performed it as part of her album La Luna from the year 2000.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

A concerto (; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Arcangelo Corelli and Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian Bach's harpsichord concertos, were written around the same time. In the second half of the 18th century, the piano became the most used keyboard instrument, and composers of the Classical Era such as Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven each wrote several piano concertos, and, to a lesser extent, violin concertos, and concertos for other instruments. In the Romantic Era, many composers, including Niccolò Paganini, Felix Mendelssohn, Frédéric Chopin, Robert Schumann, Johannes Brahms, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, continued to write solo concertos, and, more exceptionally, concertos for more than one instrument; 19th century concertos for instruments other than the piano, violin and cello remained comparatively rare, however. In the first half of the 20th century, concertos were written by, among others, Maurice Ravel, Edward Elgar, Richard Strauss, Sergei Prokofiev, George Gershwin, Heitor Villa-Lobos, Joaquín Rodrigo and Béla Bartók, the latter also composing a concerto for orchestra, that is without soloist. During the 20th century concertos appeared by major composers for orchestral instruments which had been neglected in the 19th century such as the clarinet, viola and French horn. In the second half of the 20th century and onwards into the 21st a great many composers have continued to write concertos, including Alfred Schnittke, György Ligeti, Dmitri Shostakovich, Philip Glass and James MacMillan among many others. An interesting feature of this period is the proliferation of concerti for less usual instruments, including orchestral ones such as the double bass (by composers like Eduard Tubin or Peter Maxwell Davies) and cor anglais (like those by MacMillan and Aaron Jay Kernis), but also folk instruments (such as Tubin's concerto for Balalaika, Serry's Concerto in C Major for Bassetti Accordion, or the concertos for Harmonica by Villa-Lobos and Malcolm Arnold), and even Deep Purple's Concerto for Group and Orchestra, a concerto for a rock band. Concertos from previous ages have remained a conspicuous part of the repertoire for concert performances and recordings. Less common has been the previously common practice of the composition of concertos by a performer to be performed personally, though the practice has continued via certain composer-performers such as Daniil Trifonov.

This is a list of some of the standards of concert band repertoire.

Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number.

Fall River Legend is a ballet by American choreographer Agnes de Mille, with music by Morton Gould. Set in Massachusetts in 1892-1893, the ballet tells the infamous story of Lizzie Borden. The work notably alters the outcome of the court case, with Borden receiving a guilty verdict rather than an acquittal. De Mille herself believed that Borden was guilty of the murder of her father and stepmother. Like the majority of de Mille’s ballets, Fall River Legend is deeply character driven. The ballet was commissioned by American Ballet Theatre and premiered on April 22, 1948 at the Metropolitan Opera House. Today, Fall River Legend is considered by many scholars to be her masterpiece and when it first premiered, the reviews of the ballet were generally positive.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Stephen Jay Gould ( GOOLD; September 10, 1941 – May 20, 2002) was an American paleontologist, evolutionary biologist, historian of science, and one of the most influential and widely read authors of popular science of his generation. Gould spent most of his career teaching at Harvard University and working at the American Museum of Natural History in New York. In 1996, Gould was hired as the Vincent Astor Visiting Research Professor of Biology at New York University, after which he divided his time teaching between there and Harvard. Gould's most significant contribution to evolutionary biology was the theory of punctuated equilibrium developed with Niles Eldredge in 1972. The theory proposes that most evolution is characterized by long periods of evolutionary stability, infrequently punctuated by swift periods of branching speciation. The theory was contrasted against phyletic gradualism, the popular idea that evolutionary change is marked by a pattern of smooth and continuous change in the fossil record. Most of Gould's empirical research was based on the land snail genera Poecilozonites and Cerion. He also made important contributions to evolutionary developmental biology, receiving broad professional recognition for his book Ontogeny and Phylogeny. In evolutionary theory he opposed the overemphasis placed on natural selection, and was critical of biological determinist theories of human behavior in sociobiology and evolutionary psychology. As a public advocate for science he campaigned against creationism and proposed that science and religion should be considered two distinct fields (or "non-overlapping magisteria") whose authorities do not overlap. Gould was known by the general public mainly for his 300 popular essays in Natural History magazine, and his numerous books written for both the specialist and non-specialist. In April 2000, the US Library of Congress named him a "Living Legend".

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

"Joshua Fit the Battle of Jericho" (or alternatively "Joshua Fought de Battle of Jericho", "Joshua Fit the Battle" or just Joshua and various other titles) is a well-known African-American spiritual.

This is a list of some of the standards of concert band repertoire.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

"He Never Said a Mumblin' Word" (also known as "They Hung Him on a Cross", "Mumblin' Word", "Crucifixion", and "Easter") is an American Negro Spiritual folk song. The song narrates the crucifixion of Jesus Christ, detailing how he was nailed to the cross, "whooped up the hill", speared in the side, and hung his head and died, all the while keeping a dignified silence. Like all traditional music, the lyrics vary from version to version, but maintain the same story.

The Oliver Gould Jennings House is a mansion at 7 East 72nd Street on the Upper East Side of Manhattan in New York City. It is along 72nd Street's northern sidewalk between Fifth Avenue and Madison Avenue. The four-story building was designed by Ernest Flagg and Walter B. Chambers and was built in 1898. The house, along with the neighboring structure at 9 East 72nd Street, has been owned since 2002 by the government of Qatar, which has combined the two buildings into a single residence. The facade is divided vertically into two bays and is made of rusticated blocks of limestone, rising four stories from the street. It includes an arched entrance at the first story, French windows opening onto a balcony at the second story, and a mansard roof on the fourth story. The house originally spanned 18,256 square feet (1,696.0 m2), with interiors designed in a variety of styles. The interior spaces included a ground-floor dining room and reception room; a second-floor library and drawing room; and bedrooms on the upper stories. After 7 and 9 East 72nd Street were combined, the residence included a swimming pool and a roof terrace. The house was constructed for Oliver Gould Jennings between 1898 and 1899. Jennings lived there until 1914, when it was resold several times. It was used as a temporary location of the Solomon R. Guggenheim Museum from 1956 to 1959. In 1960, it became part of the Lycée Français de New York, which also came to occupy 9 East 72nd Street. The house became a New York City designated landmark in 1977. The school vacated 7 and 9 East 72nd Street in 2002, when they were sold to Hamad bin Khalifa Al Thani, the Emir of Qatar. After the Qatari government finished renovating and combining the buildings in 2010, the two structures comprised New York City's largest single-family residence.

Stringmusic is a musical composition for string orchestra by the American composer Morton Gould. It was commissioned by the National Symphony Orchestra and was premiered at the Kennedy Center by the NSO on March 10, 1994. The piece is dedicated to the conductor Mstislav Rostropovich upon his leave. Unanimously recommended by the jury, Stringmusic was awarded the Pulitzer Prize for Music in 1995. "A large-scale suite, or serenade, for string orchestra, comprising five movements[:]" "Prelude", "Tango", "Dirge", "Ballad", "Strum".

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.

World War One is an American documentary television series that was shown on CBS during the 1964–1965 television season to commemorate the fiftieth anniversary of the start of the war.

Morton Gould (December 10, 1913 – February 21, 1996) was an American composer, conductor, arranger, and pianist.