Ginastera: Chamber Works
View all works by Ginastera in the main appExplore the complete catalog of Chamber compositions by Ginastera. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
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| Cello Sonata, op. 49 |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |
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| Duo for Flute and Oboe, op. 13 |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |
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| Guitar Sonata, op. 47 |
In music, Op. 47 stands for Opus number 47. Compositions that are assigned this number include: Albéniz – Suite Española No. 1 Barber – Third Essay Beethoven – Violin Sonata No. 9 Britten – Five Flower Songs Bruch – Kol Nidrei Chopin – Ballade No. 3 Dvořák – Bagatelles Elgar – Introduction and Allegro Ginastera – Sonata for guitar Holst – Egdon Heath Prokofiev – Symphony No. 4 Saint-Saëns – Samson and Delilah Schumann – Piano Quartet Shostakovich – Symphony No. 5 Sibelius – Violin Concerto in D minor (1904, revised 1905) Strauss – Des Dichters Abendgang |
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| Impresiones de la Puna, for flute and string quartet |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |
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| Pampeana no. 1, for violin and piano, op. 16 |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |
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| Pampeana no. 2: Rhapsody for Cello and Piano, op. 21 |
This is a list of compositions for cello and piano. It includes sonatas as well as other pieces for cello and piano. |
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| Piano Quintet, op. 29 |
In classical music, a piano quintet is a work of chamber music written for piano and four other instruments, most commonly (since 1842) a string quartet (i.e., two violins, viola, and cello). The term also refers to the group of musicians that plays a piano quintet. The genre flourished during the nineteenth century. Until the middle of the nineteenth century, most piano quintets were scored for piano, violin, viola, cello, and double bass. Following the success of Robert Schumann's Piano Quintet in E♭ major, Op. 44 in 1842, which paired the piano with a string quartet, composers increasingly adopted Schumann's instrumentation, and it was this form of the piano quintet that dominated during the second half of the nineteenth century and into the twentieth century. Among the best known and most frequently performed piano quintets, aside from Schumann's, are Schubert's Trout quintet and the piano quintets of Johannes Brahms, César Franck, Antonín Dvořák and Dmitri Shostakovich. |
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| Puneña no. 2 for cello, op. 45, "Hommage à Paul Sacher" |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |
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| String Quartet no. 1, op. 20 |
The term string quartet is a type of musical composition or a group of four people who play the quartets. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Mozart, Beethoven and Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Mendelssohn, Schumann, Brahms, Dvořák, Janáček, and Debussy. There was a slight lull in string quartet composition later in the 19th century, but it received a resurgence in the 20th century, with the Second Viennese School, Bartók, Shostakovich, Babbitt, and Carter producing highly regarded examples of the genre, and it remains an important and refined musical form. The standard structure for a string quartet as established in the Classical era is four movements, with the first movement in sonata form, allegro, in the tonic key; a slow movement in a related key and a minuet and trio follow; and the fourth movement is often in rondo form or sonata rondo form, in the tonic key. Some string quartet ensembles play together for many years and become established and promoted as an entity in a manner similar to an instrumental soloist or an orchestra. |
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| String Quartet no. 2, op. 26 |
The term string quartet is a type of musical composition or a group of four people who play the quartets. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Mozart, Beethoven and Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Mendelssohn, Schumann, Brahms, Dvořák, Janáček, and Debussy. There was a slight lull in string quartet composition later in the 19th century, but it received a resurgence in the 20th century, with the Second Viennese School, Bartók, Shostakovich, Babbitt, and Carter producing highly regarded examples of the genre, and it remains an important and refined musical form. The standard structure for a string quartet as established in the Classical era is four movements, with the first movement in sonata form, allegro, in the tonic key; a slow movement in a related key and a minuet and trio follow; and the fourth movement is often in rondo form or sonata rondo form, in the tonic key. Some string quartet ensembles play together for many years and become established and promoted as an entity in a manner similar to an instrumental soloist or an orchestra. |
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| String Quartet no. 3, for soprano and string quartet, op. 40 |
This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instruments—usually two violins, viola and cello—unless stated otherwise. |
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| Variaciones concertantes, for chamber orchestra, op. 23 |
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. |