This is a list of compositions for cello and piano. It includes sonatas as well as other pieces for cello and piano.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

The Eight Short Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed by one of Bach's pupils, possibly Johann Tobias Krebs or his son Johann Ludwig Krebs, or by the Bohemian composer Johann Caspar Ferdinand Fischer.

Il Primo Libro delle Canzoni is a collection of instrumental Baroque canzonas by the Ferrarese organist and composer Girolamo Frescobaldi. It was published in two different editions in Rome in 1628, and re-issued with substantial revisions in Venice in 1634. The three editions of the Primo Libro contain a total of forty-eight canzonas for one, two, three or four instrumental voices in various combinations, all with basso continuo; as a result of revisions, sixteen of the canzonas exist in two substantially different versions.

Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German Baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, Kerll showed outstanding musical abilities at an early age, and was taught by Giovanni Valentini, court Kapellmeister at Vienna. Kerll became one of the most acclaimed composers of his time, known both as a gifted composer and an outstanding teacher. He worked at Vienna, Munich and Brussels, and also travelled widely. His pupils included Agostino Steffani, Franz Xaver Murschhauser, and possibly Johann Pachelbel, and his influence is seen in works by Handel and Johann Sebastian Bach: Handel frequently borrowed themes and fragments of music from Kerll's works, and Bach arranged the Sanctus movement from Kerll's Missa superba as BWV 241, Sanctus in D major. Although Kerll was a well-known and influential composer, many of his works are currently lost. The losses are particularly striking in vocal music, with all 11 known operas and 24 offertories missing. The surviving oeuvre shows Kerll's mastery of the Italian concerted style, employed in almost all of his masses, and his highly developed contrapuntal technique. He was influenced by Heinrich Schütz in his sacred vocal music, and by Girolamo Frescobaldi in keyboard works.

Fiori musicali (lit. 'Musical Flowers') is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, Fiori musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated Gradus ad parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.

Il Primo Libro delle Canzoni is a collection of instrumental Baroque canzonas by the Ferrarese organist and composer Girolamo Frescobaldi. It was published in two different editions in Rome in 1628, and re-issued with substantial revisions in Venice in 1634. The three editions of the Primo Libro contain a total of forty-eight canzonas for one, two, three or four instrumental voices in various combinations, all with basso continuo; as a result of revisions, sixteen of the canzonas exist in two substantially different versions.

Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German Baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, Kerll showed outstanding musical abilities at an early age, and was taught by Giovanni Valentini, court Kapellmeister at Vienna. Kerll became one of the most acclaimed composers of his time, known both as a gifted composer and an outstanding teacher. He worked at Vienna, Munich and Brussels, and also travelled widely. His pupils included Agostino Steffani, Franz Xaver Murschhauser, and possibly Johann Pachelbel, and his influence is seen in works by Handel and Johann Sebastian Bach: Handel frequently borrowed themes and fragments of music from Kerll's works, and Bach arranged the Sanctus movement from Kerll's Missa superba as BWV 241, Sanctus in D major. Although Kerll was a well-known and influential composer, many of his works are currently lost. The losses are particularly striking in vocal music, with all 11 known operas and 24 offertories missing. The surviving oeuvre shows Kerll's mastery of the Italian concerted style, employed in almost all of his masses, and his highly developed contrapuntal technique. He was influenced by Heinrich Schütz in his sacred vocal music, and by Girolamo Frescobaldi in keyboard works.

Il Primo Libro delle Canzoni is a collection of instrumental Baroque canzonas by the Ferrarese organist and composer Girolamo Frescobaldi. It was published in two different editions in Rome in 1628, and re-issued with substantial revisions in Venice in 1634. The three editions of the Primo Libro contain a total of forty-eight canzonas for one, two, three or four instrumental voices in various combinations, all with basso continuo; as a result of revisions, sixteen of the canzonas exist in two substantially different versions.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

This is a list of chaconnes composed in the 17th century. Included are all pieces of 17th-century music, or clearly marked off sections of pieces, labeled "chaconne" (or some variant of that word) by their composers, that have been found by contributors to this article among the works of musicians, musicologists, and music historians. A few pieces not labeled "chaconne" by their composers, when they have been clearly identified as chaconnes by later commentators, have also been included. A definitive list would be impossible to make, because there was in the 17th century, and there remains today, disagreement about the defining characteristics of a chaconne. That subject is treated in the article Chaconne. Jump to decade:

"Frère Jacques" ( FRAIR-ə ZHAH-kə, French: [fʁɛʁ(ə) ʒak(ə)]), also known in English as "Brother John", is a nursery rhyme of French origin. The rhyme is traditionally sung in a round. The song is about a friar who has overslept and is urged to wake up and sound the bell for the matins, the midnight or very early morning prayers for which a friar would be expected to be awake.

"Frère Jacques" ( FRAIR-ə ZHAH-kə, French: [fʁɛʁ(ə) ʒak(ə)]), also known in English as "Brother John", is a nursery rhyme of French origin. The rhyme is traditionally sung in a round. The song is about a friar who has overslept and is urged to wake up and sound the bell for the matins, the midnight or very early morning prayers for which a friar would be expected to be awake.

The Eight Short Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed by one of Bach's pupils, possibly Johann Tobias Krebs or his son Johann Ludwig Krebs, or by the Bohemian composer Johann Caspar Ferdinand Fischer.

"Frère Jacques" ( FRAIR-ə ZHAH-kə, French: [fʁɛʁ(ə) ʒak(ə)]), also known in English as "Brother John", is a nursery rhyme of French origin. The rhyme is traditionally sung in a round. The song is about a friar who has overslept and is urged to wake up and sound the bell for the matins, the midnight or very early morning prayers for which a friar would be expected to be awake.

Il secondo libro di toccate (lit. 'The Second Book of Toccatas') is a collection of keyboard music by Girolamo Frescobaldi, first published in 1627. A work of immense historical importance, it includes the first known chaconne and passacaglia, as well as the earliest set of variations on an original theme (i.e. not a popular song, as in all earlier music). Il secondo libro di toccate is widely regarded as a high point in Frescobaldi's oeuvre.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

A partita (also partie, partia, parthia, or parthie; a term borrowed from the Italian word partita) closely resembles the dance suites of the Baroque Period; the word often occurs as a synonym of suite and variation with the addition of a prelude movement at the beginning of each partita. It was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor at Leipzig until 1722), his student Christoph Graupner (1683-1760), and Johann Sebastian Bach (1685–1750) used it for collections of musical pieces, as a synonym for "suite". In the early Baroque period, the term partita referred to a string of variations or a piece in parts that reflected different dances.

A partita (also partie, partia, parthia, or parthie; a term borrowed from the Italian word partita) closely resembles the dance suites of the Baroque Period; the word often occurs as a synonym of suite and variation with the addition of a prelude movement at the beginning of each partita. It was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor at Leipzig until 1722), his student Christoph Graupner (1683-1760), and Johann Sebastian Bach (1685–1750) used it for collections of musical pieces, as a synonym for "suite". In the early Baroque period, the term partita referred to a string of variations or a piece in parts that reflected different dances.

Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and programmatic. Only two of Froberger's many compositions were published during his lifetime. Froberger forbade publication of his manuscripts, restricting access to his noble patrons and friends, particularly the Württembergs and Habsburgs who had the power to enforce these restrictions. After his death the manuscripts went to his patroness Sibylla, Duchess of Württemberg (1620–1707) and the music library of the Württemberg family estate.

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

Fiori musicali (lit. 'Musical Flowers') is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, Fiori musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated Gradus ad parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.

The Art of Fugue, or The Art of the Fugue (German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

Il secondo libro di toccate (lit. 'The Second Book of Toccatas') is a collection of keyboard music by Girolamo Frescobaldi, first published in 1627. A work of immense historical importance, it includes the first known chaconne and passacaglia, as well as the earliest set of variations on an original theme (i.e. not a popular song, as in all earlier music). Il secondo libro di toccate is widely regarded as a high point in Frescobaldi's oeuvre.

Fiori musicali (lit. 'Musical Flowers') is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, Fiori musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated Gradus ad parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

A ricercar ( REE-chər-KAR, Italian: [ritʃerˈkar]) or ricercare ( REE-chər-KAR-ay, Italian: [ritʃerˈkaːre]) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ricercar derives from the Italian verb ricercare, which means "to search out; to seek"; many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing. In its most common contemporary usage, it refers to an early kind of fugue, particularly one of a serious character in which the subject uses long note values. However, the term has a considerably more varied historical usage. Among the best-known ricercars are the two for harpsichord contained in Bach's The Musical Offering and Domenico Gabrielli's set of seven for solo cello. The latter set contains what are considered to be some of the earliest pieces for solo cello ever written.

Fiori musicali (lit. 'Musical Flowers') is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, Fiori musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated Gradus ad parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.

Claudio Merulo (Italian pronunciation: [ˈklaudjo ˈmɛːrulo]; 8 April 1533 – 4 May 1604) was an Italian composer, publisher and organist of the late Renaissance period, most famous for his innovative keyboard music and his ensemble music composed in the Venetian polychoral style. He was born in Correggio and died in Parma. Born Claudio Merlotti, he Latinised his surname (meaning little blackbird) when he became famous in Venetian cultural clubs.

Johann Pachelbel (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera L'Orfeo being a notable example).

Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera L'Orfeo being a notable example).

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

The Toccata and Fugue in D minor, BWV 565, is a composition for organ from the Baroque period which was long attributed to Johann Sebastian Bach, but whose authorship has been questioned since 1981. It is one of the most widely recognisable works in the organ repertoire. It was written between 1704 and the 1750s. The piece opens with a toccata section followed by a fugue that ends in a coda, and is typical of the north German organ school of the Baroque era. Little was known about its early existence until the piece was discovered in an undated manuscript produced by Johannes Ringk. It was first published in 1833 during the early Bach Revival period through the efforts of composer Felix Mendelssohn, who also performed the piece in 1840. In the 20th century, its popularity rose above that of other organ compositions by Bach, as exemplified by its inclusion in Walt Disney's 1940 animated film Fantasia using Leopold Stokowski's orchestral transcription from 1927. The piece has been subject to a wide, and often conflicting, variety of analyses. It is often described as a type of program music depicting a storm, while its depiction in Fantasia is suggestive of non-representational or absolute music. The English musicologist Peter Williams questioned its authorship in 1981, and as of 2026, there is no scholarly consensus.

Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera L'Orfeo being a notable example).

Flavio Emilio Scogna (born 16 August 1956 in Savona, Liguria) is an Italian composer and conductor.

Fiori musicali (lit. 'Musical Flowers') is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, Fiori musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated Gradus ad parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.

The Toccata and Fugue in D minor, BWV 565, is a composition for organ from the Baroque period which was long attributed to Johann Sebastian Bach, but whose authorship has been questioned since 1981. It is one of the most widely recognisable works in the organ repertoire. It was written between 1704 and the 1750s. The piece opens with a toccata section followed by a fugue that ends in a coda, and is typical of the north German organ school of the Baroque era. Little was known about its early existence until the piece was discovered in an undated manuscript produced by Johannes Ringk. It was first published in 1833 during the early Bach Revival period through the efforts of composer Felix Mendelssohn, who also performed the piece in 1840. In the 20th century, its popularity rose above that of other organ compositions by Bach, as exemplified by its inclusion in Walt Disney's 1940 animated film Fantasia using Leopold Stokowski's orchestral transcription from 1927. The piece has been subject to a wide, and often conflicting, variety of analyses. It is often described as a type of program music depicting a storm, while its depiction in Fantasia is suggestive of non-representational or absolute music. The English musicologist Peter Williams questioned its authorship in 1981, and as of 2026, there is no scholarly consensus.

Johann Pachelbel (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

Bernardo Pasquini (7 December 1637 – 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to opera and oratorio.

Bernardo Pasquini (7 December 1637 – 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to opera and oratorio.

Johann Pachelbel (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

David Nattkemper (born 7 July 1990), professionally known as David August, is an Italo-German composer, producer, mixing engineer, DJ and classically trained pianist and a graduate from Universität der Künste. August released 4 studio albums and multiple EPs since 2010. In 2018, the release of the cinematic album DCXXXIX A.C. marked the debut of his newly founded record label 99Chants, followed by D'Angelo in the same year which was released on PIAS. August has collaborated with Deutsches Symphonie Orchester Berlin, with the Coro Polifonico Cittá Del Palestrina, as well as with other musicians, including Cansu Tanrikulu, Sushma Soma, Anastasia Markopoulou among others. He is the son of German pianist Ralf Nattkemper.

Il Primo Libro delle Canzoni is a collection of instrumental Baroque canzonas by the Ferrarese organist and composer Girolamo Frescobaldi. It was published in two different editions in Rome in 1628, and re-issued with substantial revisions in Venice in 1634. The three editions of the Primo Libro contain a total of forty-eight canzonas for one, two, three or four instrumental voices in various combinations, all with basso continuo; as a result of revisions, sixteen of the canzonas exist in two substantially different versions.

Claudio Merulo (Italian pronunciation: [ˈklaudjo ˈmɛːrulo]; 8 April 1533 – 4 May 1604) was an Italian composer, publisher and organist of the late Renaissance period, most famous for his innovative keyboard music and his ensemble music composed in the Venetian polychoral style. He was born in Correggio and died in Parma. Born Claudio Merlotti, he Latinised his surname (meaning little blackbird) when he became famous in Venetian cultural clubs.

Il Primo Libro delle Canzoni is a collection of instrumental Baroque canzonas by the Ferrarese organist and composer Girolamo Frescobaldi. It was published in two different editions in Rome in 1628, and re-issued with substantial revisions in Venice in 1634. The three editions of the Primo Libro contain a total of forty-eight canzonas for one, two, three or four instrumental voices in various combinations, all with basso continuo; as a result of revisions, sixteen of the canzonas exist in two substantially different versions.

Girolamo Alessandro Frescobaldi (Italian: [dʒiˈrɔːlamo freskoˈbaldi]; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori musicali (1635), were used as models of strict counterpoint as late as the 19th century.

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).

The Italian composer Girolamo Frescobaldi (1583–1643) wrote music during the late Renaissance era and Baroque period. The following list of compositions is organized thematically, and within sections entries are arranged chronologically. Although some of the collections were published more than once, only dates of first editions are given. The numbers (preceded by F) that follow the compositions refer to the Frescobaldi Thematic Catalogue Online (FTCO).