Dukas: Keyboard Works

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Explore the complete catalog of Keyboard compositions by Dukas. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

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La plainte, au loin, du faune...

Paul Abraham Dukas (French: [dykɑ(ː)s] 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical and abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works, largely due to its usage in the 1940 Disney film Fantasia. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau (for solo piano), and a ballet, La Péri. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École normale de musique de Paris; his pupils included Maurice Duruflé, Olivier Messiaen, Walter Piston, Manuel Ponce, Joaquín Rodrigo and Xian Xinghai.

Piano Sonata in E flat minor

In music, a sonata (; pl. sonate) is a piece that consists of 3 or 4 movements that can be for different musical instruments. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. sonatine, the diminutive form of sonata, is often used for a short or technically easy sonata.

Prélude élégiaque sur le nom de Haydn

Menuet sur le nom d'Haydn is a minuet for solo piano written by Maurice Ravel in 1909 to mark the centenary of Joseph Haydn's death.

Variations, Interlude and Finale sur un thème de Rameau

The Variations, Interlude and Finale on a Theme by Rameau (French: Variations, interlude et finale sur un thème de Rameau) were composed by Paul Dukas between 1899 and 1902. The work was first performed in Paris in 1903.