Chopin: Orchestral Works
View all works by Chopin in the main appExplore the complete catalog of Orchestral compositions by Chopin. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| Andante spianato et grande polonaise brillante, op. 22 |
Andante spianato et grande polonaise brillante in E♭ major, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The Grande polonaise brillante in E♭, set for piano and orchestra, was written first, in 1830–31. In 1834, Chopin wrote an Andante spianato in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work (both orchestrated version and solo piano version) was published in 1836, and was dedicated to Madame d'Este. |
|
| Fantasy on Polish Airs, op. 13 |
Frédéric Chopin wrote six works for piano and orchestra, including two concertos. The Fantasy on Polish Airs in A major, Op. 13, was the second of his concertante works, written in 1828–30. The piece is also sometimes referred to as Fantasia on Polish Airs, Grande fantaisie or Fantaisie brillante. Chopin himself referred to it as his "Potpourri on Polish themes", and kept it in his repertoire for many years. The Fantasy followed the highly successful Variations on "Là ci darem la mano", Op. 2 of 1827. It was written while a student of Józef Elsner at the Warsaw Conservatory. |
|
| Krakowiak, op. 14 |
The Krakowiak or Cracovienne is a fast, syncopated Polish folk dance in duple time from the region of Kraków and Lesser Poland. The folk outfit worn for the dance has become the national costume of Poland, most notably, the rogatywka peaked hat with peacock feathers. It became a popular ballroom dance in Vienna ("Krakauer") and Paris ("Cracovienne") where, with the polonaise and the mazurka, it signalled a Romantic sensibility of sympathy towards a picturesque, distant and oppressed nation. The first printed Krakowiak appeared in Franciszek Mirecki's album for the piano, "Krakowiaks Offered to the Women of Poland" (Warsaw, 1816). Frédéric Chopin produced a bravura concert krakowiak in his Grand Rondeau de Concert, Rondo à la Krakowiak in F major for piano and orchestra (Op. 14, 1828). The last movement of his first piano concerto also draws heavily on the dance. In terms of its choreography, the krakowiak is set for several couples, among whom the leading male dancer sings and indicates the steps. According to the description in the New Grove Dictionary of Music and Musicians, the krakowiak is directed by the leading man from the first pair. As they approach the band, "the man, tapping his heels or dancing a few steps, sings a melody from an established repertory with newly improvised words addressed to his partner. The band follows the melody, and the couples move off in file and form a circle (with the leading couple back at the band). Thereafter verses are sung and played in alternation, the couples circulating during the played verses. |
|
| Piano Concerto no. 1 in E minor, op. 11 |
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland. It was the first of Chopin's two piano concertos to be published, and was therefore given the designation of Piano Concerto "No. 1" at the time of publication, even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2. The concerto is scored for solo piano, pairs of flutes, oboes, clarinets, and bassoons, four horns, two trumpets, bass trombone, timpani and strings. A typical performance lasts about 40 minutes. |
|
| Piano Concerto no. 2 in F minor, op. 21 |
The Piano Concerto No. 2 in F minor, Op. 21, is a piano concerto composed by Frédéric Chopin in fall 1829. Chopin composed the piece before he had finished his formal education, at around 20 years of age. It was first performed on 17 March 1830, in Warsaw, Poland, with the composer as soloist. It was the second of his piano concertos to be published (after the Piano Concerto No. 1), and so was designated as "No. 2", even though it was written first. From May 2024, a score from the collection of the National Library of Poland, where a piano part is in Chopin’s own hand, is presented at a permanent exhibition in the Palace of the Commonwealth. |
|
| Variations on La ci darem la mano, op. 2 |
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“). Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes. One autograph of the version for solo piano is held by the Austrian National Library. |